A Study on the Relations between Arts and Politics: Focusing on the Cancel Culture in the 21st Century

J. Tchun, Annette Eunkyung Kang
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Abstract

The purpose of this study is to introduce the notion and characteristics of the Cancel Culture based on the Grounded Theory and to open a forum for discussion on conflicting perspectives. To this end, this study aimed to suggest implications by qualitatively following the logic of the Grounded Theory with related cases and examining their impact, focusing on the recent exclusion of Russian arts and culture among international institutions. The notion of Cancel Culture is a movement of depriving public figures of their social status or professions by publicly discrediting and boycotting those who are judged to be unethical and immoral. It might appear to be effective when legal remedies are not appropriate, by requesting immediate correction in an informal manner. On the other hand, due to the nature of public opinion driven by private censorship, it is apt to lose neutrality and tolerance, and thus threaten freedom of expression, besides undermining human rights. Under the circumstances that the Cancel Culture is getting attention as a social concern around the world, this study could be meaningful in identifying the need for related research to open a public forum in domestic arts and academic communities.
艺术与政治关系研究——以21世纪的“取消文化”为中心
本研究的目的是在扎根理论的基础上介绍取消文化的概念和特征,并为相互冲突的观点开辟一个讨论的论坛。为此,本研究旨在通过定性地遵循扎根理论与相关案例的逻辑并检查其影响来提出建议,重点关注最近俄罗斯艺术和文化在国际机构中的排斥。“取消文化”的概念是一种通过公开诋毁和抵制那些被认为不道德和不道德的人来剥夺公众人物的社会地位或职业的运动。当法律补救办法不适当时,以非正式方式要求立即纠正似乎是有效的。另一方面,由于民间审查驱动的舆论性质,它容易失去中立性和包容性,从而威胁到言论自由,损害人权。在“取消文化”作为一个社会问题在世界范围内受到关注的情况下,本研究对于确定在国内艺术界和学术界开设公共论坛的相关研究的必要性具有重要意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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