Fiesta y olvido. Revista Amanecer (1948), recodo de la promoción cultural en Chiapas, México

Vladimir González Roblero
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Abstract

Towards the end of the 1940s and early 1950s, an editorial project appeared in Chiapas, Mexico under the cultural policy of Governor Francisco Jose Grajales. This project was developed in the Ateneo de Ciencias y Artes de Chiapas and the Department of Press and Tourism, and resulted in the publication of two important products, although of different fate: the Ateneo magazine and the Chiapas magazine. The above cannot be understood without looking at its margins. One of them is located in the year 1948, the same year that, at its end, witnessed the rise of Francisco Grajales to power. At that time, the magazine Amanecer appeared outside every institution, which was directed by a high school student, Mercedes Camacho, and had a fleeting life: nine monthly issues are the measure of its existence. In it we find the germ of what would come later: publishing projects as cultural promotion strategies, the formation of intellectuals or cultural elites and the institutionalization of the field of art and culture. It is these three axes that are announced in Amanecer and suggest the beginning of a practice of cultural promotion that lasted for years in Chiapas.
派对和遗忘。《Amanecer》杂志(1948),墨西哥恰帕斯的文化推广
在20世纪40年代末和50年代初,在墨西哥恰帕斯州州长弗朗西斯科·何塞·格拉贾莱斯的文化政策下,出现了一个编辑项目。这个项目是在Ateneo de Ciencias y Artes de Chiapas和新闻和旅游部开发的,并导致了两种重要产品的出版,尽管命运不同:Ateneo杂志和Chiapas杂志。如果不看其边际,就无法理解上述内容。其中一个故事发生在1948年,也就是在1948年结束时,弗朗西斯科·格拉贾莱斯(Francisco Grajales)上台执政。当时,《Amanecer》杂志出现在每个机构之外,由高中生梅塞德斯·卡马乔(Mercedes Camacho)主持,它的生命转瞬即逝:每月9期是它存在的衡量标准。在这本书中,我们找到了后来的萌芽:作为文化推广策略的出版项目,知识分子或文化精英的形成,以及艺术和文化领域的制度化。正是这三个轴在Amanecer中被宣布,并暗示了在恰帕斯持续多年的文化推广实践的开始。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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