{"title":"French Actors and the Hollywood Studio System: The Case of Ketti Gallian, 1934–1937","authors":"Louise G. Hilton","doi":"10.2979/FILMHISTORY.33.1.01","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Almost completely forgotten today, Ketti Gallian was a young French actress who made four films in Hollywood in the mid-1930s, playing the female lead opposite Spencer Tracy and Warner Baxter in two of them. Gallian's example is rare in that she was a virtual unknown within the film community in France when she signed a Hollywood contract. Once enmeshed in the machinery of the studio system, she found ways to resist its myriad constraints but ultimately failed to realize her ambitions, a victim of studio mismanagement and, especially, linguistic insecurity, which undermined her onscreen performance and marketability—a problem also faced by some of her better-known compatriots in Hollywood.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film History: An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/FILMHISTORY.33.1.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT:Almost completely forgotten today, Ketti Gallian was a young French actress who made four films in Hollywood in the mid-1930s, playing the female lead opposite Spencer Tracy and Warner Baxter in two of them. Gallian's example is rare in that she was a virtual unknown within the film community in France when she signed a Hollywood contract. Once enmeshed in the machinery of the studio system, she found ways to resist its myriad constraints but ultimately failed to realize her ambitions, a victim of studio mismanagement and, especially, linguistic insecurity, which undermined her onscreen performance and marketability—a problem also faced by some of her better-known compatriots in Hollywood.