3 The Digitalization Imperative: Sacralization of Technology in LAM Policies

Erik Henningsen, Håkon Larsen
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引用次数: 5

Abstract

In most Western countries, cultural policy is at base a matter of public funding of the culture sector, and hence a question of money. At the same time, this is a domain of policy that is heavily invested with ideas that explain and justify the need for public expenditure on the culture sector. European cultural policies have for several decades been legitimized with reference to specific overarching ideas, being activated by policy actors and managers in cultural organizations. These ideas have guided the development of policies, as well as functioned as the normative grounds on which policies have been based. Some of the ideas are normative principles (e.g. universal access to culture, the right to participation, freedom of expression), while others are concerned with emergent trends of social, cultural, and technological development (e.g. globalization, cultural diversity). Since the mid-twentieth century onwards, notions of democratization of culture, cultural dissemination, and cultural participation has guided the formulation of cultural policies in Western Europe. In the 1990s as well as the 2000s globalization and cultural diversity became important overriding concepts in cultural policy discourses. Since the turn of the century, digitalizationhas emerged as another guiding concept in the formulation of cultural policies, or as what we will refer to as a “policy imperative”. In accordance with dictionary definitions, “imperative” is an authoritative commandor call for action. Here, onemay think also of Kant’s “categorical imperative”, which refers to an ultimate and universally applicable moral principle or rule of action.Whenwe talk of policy imperatives in this chapter it denotes the fact that ideasmay take on the commanding force of an imperative, regardless of their objective or normative validity. This imperative force may be shortor long lived and restricted to certain groups or domains of social action. More specifically, we use the concept of policy imperatives in reference to ideas that take on the character of self-explanatory and universally binding calls for actionwithin a given field of policy. These are ideas actors within the policy field can openly reject or protest only at the risk of being perceived as irresponsible, foolish or morally corrupted. By virtue of this, the ideas become obligatory reference points in the formulation of policies and organizing concepts in policy discourses. Today, digitalization is
数字化势在必行:LAM政策中的技术神圣化
在大多数西方国家,文化政策基本上是文化部门的公共资金问题,因此是一个钱的问题。与此同时,这是一个大量投资于解释和证明文化部门需要公共支出的想法的政策领域。几十年来,欧洲的文化政策已根据具体的总体思想而合法化,并由文化组织中的政策行动者和管理者加以激活。这些思想指导了政策的制定,并作为政策所依据的规范性基础发挥作用。其中一些是规范性原则(例如,普遍接触文化、参与权利、言论自由),而另一些则与社会、文化和技术发展的新趋势有关(例如全球化、文化多样性)。自20世纪中期以来,文化民主化、文化传播和文化参与的概念一直指导着西欧文化政策的制定。在20世纪90年代和21世纪初,全球化和文化多样性成为文化政策话语中重要的压倒一切的概念。自世纪之交以来,数字化已成为制定文化政策的另一个指导概念,或者我们将其称为“政策要求”。根据字典的定义,“命令式”是一种权威的命令或行动号召。在这里,人们也可以想到康德的“绝对命令”,它指的是一种最终的、普遍适用的道德原则或行动规则。当我们在本章中谈到政策命令时,它指的是这样一个事实,即思想可以采取命令的指挥力量,而不管其客观或规范有效性。这种命令性的力量可能是短期的,也可能是长期的,并且局限于某些群体或社会行动领域。更具体地说,我们使用政策必要性的概念来指代那些在特定政策领域内具有自我解释和普遍约束力的行动呼吁的想法。政策领域的行为者可以公开拒绝或抗议这些想法,只会冒着被视为不负责任、愚蠢或道德败坏的风险。因此,这些理念成为政策制定和政策话语组织概念的强制性参考点。今天,数字化是
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