Theory of Literature

Stratis Papaioannou
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Abstract

The present chapter introduces the immense body of theory on literature produced in Byzantium. It focuses on three questions: (1) Where does one encounter Byzantine literary theory? Such theory is found in manuals, textbooks, commentaries, and related works written in the context of discursive education, as well as in “para-texts” (titles, colophons, dedicatory epigrams, and the like) and in “meta-texts” (such as theoretical statements about literature within Byzantine texts). (2) What are the main features and major preoccupations of Byzantine literary theory? Here, the emphasis on prescription is highlighted, but also the absence of any comprehensive or totalizing aesthetics, and thus the presence of a multiplicity of ideologies and aesthetic preferences. And (3) what are the notions of “literature” that emerge? In regard to this, the chapter offers a case study by tracing Byzantine approaches toward a key concept in modern literary theorization, namely fiction or fictionality.
文学理论
本章介绍了拜占庭产生的大量文学理论。它主要关注三个问题:(1)在哪里可以遇到拜占庭文学理论?这样的理论可以在手册、教科书、评论和话语教育背景下写的相关作品中找到,也可以在“准文本”(标题、附注、奉献警句等)和“元文本”(如拜占庭文本中关于文学的理论陈述)中找到。(2)拜占庭文学理论的主要特点和主要关注点是什么?在这里,强调的是处方,但也没有任何全面或总体的美学,因此存在多种意识形态和审美偏好。(3)由此产生的“文学”的概念是什么?关于这一点,本章提供了一个案例研究,通过追溯拜占庭对现代文学理论化的一个关键概念,即小说或虚构性的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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