The chivalric tomb in fifteenth-century Portugal

T. Soley
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Abstract

The fifteenth-century Portuguese nobility was a proud and image-conscious social group that transformed tombs into opportunities for self-promotion. Manifesting changing conceptualizations of history and agency, the nobility’s elaborately sculpted sepulchres also reveal the means of successful social advancement in this society. The ruling dynasty of Avís encouraged the chivalric ethos of the long fifteenth century to exert control over the powerful nobility and validate their expansionist agenda in Africa. This profoundly shaped the visual idiom of funerary sculpture, resulting in the emergence of the ‘chivalric tomb’ in Portugal. Taking advantage of the blurred lines between chivalry and politics and between history and propaganda, Portuguese aristocrats began to manipulate their posthumous images to construct enduring, positive legacies in the public imagination. Aristocratic Portuguese tombs remain virtually untapped sources of social-historical information, particularly through their display of consistent commemorative strategies ranging from genealogical epitaphs to figural portrayals of Africans. Drawing on extensive fieldwork and archival research and offering a close examination of these monuments through visual, literary and historical evidence, this article explores the artistic intersection of death and memory in late medieval Portuguese society and elucidates how aristocratic funerary monuments performed a persuasive, as well as memorial, function.
15世纪葡萄牙的骑士墓
15世纪的葡萄牙贵族是一个骄傲而注重形象的社会群体,他们把坟墓变成了自我推销的机会。贵族精心雕刻的坟墓体现了历史和权力观念的变化,也揭示了这个社会成功的社会进步手段。执政的Avís王朝鼓励了15世纪的骑士精神,以对强大的贵族施加控制,并证实他们在非洲的扩张议程。这深刻地塑造了丧葬雕塑的视觉风格,导致了葡萄牙“骑士墓”的出现。利用骑士精神与政治、历史与宣传之间模糊的界限,葡萄牙贵族开始操纵他们死后的形象,在公众的想象中构建持久的、积极的遗产。葡萄牙贵族墓葬实际上仍然是未开发的社会历史信息来源,特别是通过他们展示的一致的纪念策略,从家谱墓志铭到非洲人的人物肖像。通过广泛的田野调查和档案研究,并通过视觉、文学和历史证据对这些纪念碑进行了仔细的研究,本文探讨了中世纪晚期葡萄牙社会中死亡与记忆的艺术交集,并阐明了贵族葬礼纪念碑如何发挥说服力和纪念作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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