A Study on the Musical Relationship between and

Byeol Shin
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Abstract

This study is the result of revealing that the movement of the Joseon Dynasty is musically related to , which has been handed down since the Goryeo Dynasty, and examining the significance of the connection and the transmission process of . is a movement in the early Joseon Dynasty that is included in 『Sejongsillokakbo(世宗實錄樂譜)』 and is played in Aheon(亞獻) and Jongheon(終獻)'s Heonrye(獻禮) among the current jongmyo jeryeak. was created during the Goryeo Dynasty, and some of the lyrics and scores are delivered in 『Siyonghyangakbo(時用鄕樂譜)』 In this paper, we focused on the relationship between these two songs. Through the 1980s, interest in the musical relationship between the movement of the Joseon Dynasty and Goryeo song emerged in the Korean traditional music and Korean literature circles. The study of this relevance greatly helps to grasp the music organization habits, characteristics, and the history of our music at that time. There have been no reports of music related to , and while reviewing the movements of the early Joseon Dynasty, this paper confirmed that it shares a considerable melody with , a song from the Goryeo Dynasty. is a song composed of 10 lines, and is composed of 12 lines. Except for lines 6, 7, and 8 of the melodies of , all traces of extracting the melody of as it is or using decoration were confirmed. This melodic similarity suggests that the two songs have a strong affinity. In addition, we looked at the pattern in which the melody of has been passed down through to and . At the beginning of followed the melody of and pursued some changes by adding decorations, but in the second half, a new melody was introduced to pursue many changes. And since is a change of the name of , the two songs are very similar. The melody of , a total of five lines, was borrowed from and the only difference is the end of the song. This follows the final method of the music included in the 『Sejongsillokakbo』. In summary, directly affected the melody of , and the melody of influenced and and has been passed down to the present. As such, the movement of the Joseon Dynasty has a strong connection with the songs of the Goryeo Dynasty. As confirmed in this paper, some of the movements of the early Joseon Dynasty were adapted from Goryeo songs, and in this study, a melodic connection between and was found, adding another example of the musical connection between the Goryeo Dynasty and the Joseon Dynasty.
与的音乐关系研究
此次研究揭示了从高丽时代开始就流传下来的朝鲜时代的运动在音乐上的关联,并研究了这种关联和传播过程的意义。是朝鲜早期的一种运动,被列入《宗宗乐录》,在现在的宗法祭礼中,在Aheon()和Jongheon()的宪礼()中演奏。是在高丽时期创作的,其中一些歌词和乐谱在《四永香歌》中被传递。在本文中,我们重点研究了这两首歌之间的关系。从20世纪80年代开始,国乐和文学界开始关注朝鲜运动和高丽歌曲之间的音乐关系。对这种关联性的研究,有助于把握当时我国音乐的组织习惯、特点和历史。虽然没有与此相关的音乐报道,但通过对朝鲜早期的乐章进行分析,确认了与高丽歌曲的旋律相当相似的事实。是一首由10行组成的歌,是由12行组成的歌。除了第6、7、8行of的旋律外,都是原封不动的提取旋律或使用装饰的痕迹。这种旋律上的相似性表明这两首歌有很强的亲和力。此外,我们还研究了旋律传递到和的模式。一开始遵循的旋律,并通过添加装饰来追求一些变化,但在后半段,引入了新的旋律来追求许多变化。由于是改了名字,这两首歌非常相似。的旋律,共五行,是借来的,唯一的区别是歌曲的结尾。这沿袭了《世宗四合录》中音乐的最后一种方法。综上所述,直接影响了旋律的,而旋律的影响和和一直流传至今。因此,朝鲜时代的运动与高丽时代的歌曲有着紧密的联系。正如论文所证实的那样,朝鲜早期的一些乐章是改编自高丽歌曲的,在这次研究中,发现了和之间的旋律联系,这又增加了高丽和朝鲜之间音乐联系的另一个例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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