A comparative study of the influence of modernity theory and unified architectural theory on the realty of contemporary Egyptian architectural design

Hosam El-Din Sabry Mahmoud, Muhammad Atef Muhammad
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Abstract

People's responses to architectural forms and blocks vary according to their backgrounds and according to their understanding of the theory on which the building design is based, and the assimilation process often differs from the fact that the recipient is an ordinary person or an architect, so it is often affected by the reaction based on his performance and comfort in the case of the average person, while the architect is often ignored These feelings and the architectural work receives through a unified theory that respects standards abstract from feelings, this unified theory called by some theorists to restore the lost meanings of the intangible architecture that modernity concealed its features and produced forms that are not connected without meaning, and the current Egyptian architecture has become a continuation of the international style that concealed the features of identity In countries and their features erased their traditional building materials, hence the research raises an important question about the extent to which the Egyptian architectural reality was affected by modernity and the extent to which contemporary architects resorted to the unified architectural theory that was established by the mathematician and architectural theorist Nikos Salinger's, the research is based on the analytical approach to trace the influence of both theories On the Egyptian reality through a quantitative analysis to measure the language of architectural design and regional adaptation, to reach the final output The study indicated that most of the buildings follow the international style of modernity, which calls for a mechanical study to work with the unified architectural theory in Egypt. INTERNATIONAL JOURNAL OF ARCHITECTURAL ENGINEERING AND URBAN
现代性理论与统一建筑理论对当代埃及建筑设计现实影响的比较研究
人们对建筑形式和砌块的反应因其背景和对建筑设计所依据理论的理解而异,其同化过程往往与接受者是普通人或建筑师不同,因此往往受到普通人情况下基于他的表现和舒适度的反应的影响。而建筑师往往忽略了这些感受,建筑作品通过一种统一的理论来接受,这种统一的理论尊重从感受中抽象出来的标准,一些理论家呼吁这种统一的理论来恢复无形建筑失去的意义,现代性隐藏了它的特征,产生了没有意义的不联系的形式。现在的埃及建筑已经成为一种国际风格的延续,这种风格掩盖了各国的特征,它们的特征抹去了它们的传统建筑材料,因此,这项研究提出了一个重要的问题,即埃及的建筑现实在多大程度上受到了现代性的影响,以及当代建筑师在多大程度上采用了由数学家和建筑理论家尼科斯·塞林格(Nikos Salinger)建立的统一建筑理论。本研究是基于分析的方法来追溯两种理论对埃及现实的影响,通过定量分析来衡量建筑设计的语言和地域适应性,以达到最终的输出研究表明,大多数建筑遵循现代的国际风格,这需要一个机械的研究工作与统一的建筑理论在埃及。国际建筑工程与城市杂志
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