Politics

Tristan J Kay
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Abstract

This chapter addresses key aspects of Dante’s political thought in its cultural, biographical, and intellectual context. Its opening section stresses that Dante’s political theory responds to his lived experience of the volatility of fourteenth-century Italy. The chapter then questions the generic parameters of Dante’s ‘political writings’ and draws attention to some of the intellectual currents that inform them. The following two sections use passages from the Commedia and Monarchia, in particular, to illuminate key tenets of Dante’s theologized political philosophy: firstly, the institutions of papacy and empire and their respective functions and responsibilities; and secondly, the importance of cities, and specifically factional medieval Florence and imperial Rome, in the Commedia’s political imaginary. The final part of the chapter argues that, while critics sometimes address politics as a vital but intellectually isolated branch of Dante’s work, we should emphasize the ways in which he brings political ideas into fruitful contact with diverse forms of expression and knowledge.
政治
本章论述但丁政治思想在文化、传记和知识背景下的关键方面。它的开篇强调但丁的政治理论回应了他对14世纪意大利动荡的亲身经历。然后,本章对但丁“政治著作”的一般参数提出了质疑,并将注意力吸引到一些知识分子的潮流上。接下来的两节将特别使用《喜剧》和《君主论》中的段落来阐明但丁神化政治哲学的关键原则:首先,教皇和帝国的制度及其各自的职能和责任;其次,城市的重要性,特别是中世纪派系的佛罗伦萨和罗马帝国,在喜剧的政治想象中。本章的最后一部分认为,虽然批评家有时把政治作为但丁作品中一个重要但在智力上孤立的分支,但我们应该强调他将政治思想与各种形式的表达和知识进行富有成效的接触的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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