A Multicultural Community of Practice in Creative Writing

C. Malilang
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Abstract

This article shall argue that learning arts (creative writing) and becoming an artist is best understood as a process of immersion. Lave and Wenger’s Community of Practice will be used as a framework along with the concept of nyantrik, an apprenticeship in arts within Javanese culture, which gives a deeper meaning to the process of immersion. This article will also show how such learning processes may be re-shaped and occur across spatial and cultural boundaries, with the help of modern communication platforms. Using a/r/tography as an approach for arts-based inquiries, the article aims to describe the dialogic learning process of becoming a creative writer through immersion into an online multicultural community of practice, Project 366. The study is accomplished through an examination of the interactions, reflections and creative works (poetry) of the participants, as well as how such exchanges also affected the researcher’s own creative process.
创意写作实践的多元文化社区
本文认为,学习艺术(创造性写作)和成为一名艺术家最好被理解为一个沉浸的过程。Lave和Wenger的实践社区将与nyantrik概念一起被用作框架,nyantrik是爪哇文化中的艺术学徒,它赋予了沉浸过程更深刻的含义。本文还将展示在现代交流平台的帮助下,这种学习过程如何被重新塑造,并跨越空间和文化界限。本文以a/r/tography作为艺术探究的方法,旨在描述透过沉浸于线上多元文化实践社群(Project 366),成为创意作家的对话学习过程。这项研究是通过考察参与者的互动、反思和创作(诗歌),以及这些交流如何影响研究者自己的创作过程来完成的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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