Escrituras tóxicas: cuerpos y paisajes alterados

Gisela Heffes
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引用次数: 1

Abstract

This article focuses on the recent rural turn in contemporary Argentine literature production. It draws from Laurence Buell’s notion of toxic discourse (1988) in order to analyze two narratives: Distancia de rescate (2014) by Samanta Schweblin, and Las estrellas federales (2016), by Juan Diego Incardona, along with the poetry collection Un pequeno mundo enfermo (2014), by Julian Joven [pseudonym of Cristian Molina]. With the emergence and more frequent use of agrochemicals in the Argentine rural soil, I argue that these writings articulate a discursive toxicity anchored in a transfigured pampa. Furthermore, the cultivation of transgenic soy transforms the space into a contaminated and contaminating landscape, whose agrotoxics inoculate indiscriminately both human and nonhuman bodies. I read these bodily and spatial representations, in both the fictions and poetry, as a textualization that redesigns the relation between subject and the natural environmental, specifically the rural space, displacing a discourse of “buen vivir” for a literary production of what I propose, tentatively, as of “mal vivir” (bad living). This aesthetic production appeals to a reflection on environmental justice that considers the imminent damage and degradation of the contaminated landscape.
有毒的写作:改变的身体和景观
本文主要探讨当代阿根廷文学创作中的农村转向。它借鉴了劳伦斯·布尔(Laurence Buell)关于有毒话语的概念(1988),以分析两种叙事:萨曼塔·施韦布林(Samanta Schweblin)的《逃离的距离》(2014),胡安·迭戈·Incardona的《联邦的estrellas federales》(2016),以及朱利安·约文(christian Molina的笔名)的诗集《世界上的人》(2014)。随着农用化学品在阿根廷农村土壤中的出现和更频繁的使用,我认为这些著作表达了一种话语毒性,这种毒性锚定在一个变形的潘帕草原上。此外,转基因大豆的种植将空间变成了一个被污染和污染的景观,其农业毒素不分青红皂白地接种人类和非人类的身体。我在小说和诗歌中读到这些身体和空间的表现,作为一种文本化,它重新设计了主体与自然环境之间的关系,特别是乡村空间,用我暂时提出的“mal vivir”(糟糕的生活)的文学作品取代了“buen vivir”的话语。这种美学作品呼吁对环境正义的反思,考虑到污染景观迫在眉睫的破坏和退化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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