Arshile Gorky’s life in USA. The hard way of search of identity

L. Harutyunyan, Hripsime Dayan
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Abstract

The life and formation of the great Armenian artist Arshile Gorky in the USA and the search for his own identity is examined in the traditions of the sociological theory of symbolic interactionism, based on the analysis of the rich documentary material left by the artist himself and his contemporaries. The key to understanding the essence of the artist's identity is his statements about himself as a "child of Ararat", an artist who carries in himself the values of the images and colors of the lost homeland (Van, Khorgom). An analysis of the history of the search for identity shows that despite the socio-cultural problems caused by racist policies and the reality of early 20th century American society, Arshile Gorky remained faithful to his purpose and mission: in his paintings he was able to preserve the image of the lost homeland. He used his brush to recreate the image of Western Armenia. He did not change his national identity, and remaining faithful to the inherited principles nurtured himself "mighty as a giant, but tender at heart, like a child". With his art, Arshile Gorky was able to achieve the freedom he strived for.
高尔基在美国的生活。寻找身份的艰难之路
伟大的亚美尼亚艺术家阿尔希尔·高尔基在美国的生活和形成,以及对他自己身份的探索,基于对艺术家本人和同时代人留下的丰富文献资料的分析,在象征互动主义的社会学理论传统中进行了研究。理解艺术家身份本质的关键是他关于自己是“亚拉腊的孩子”的陈述,他是一个艺术家,他自己携带着失去家园的图像和色彩的价值观(Van, Khorgom)。对身份寻找历史的分析表明,尽管种族主义政策和20世纪初美国社会的现实造成了社会文化问题,阿尔希尔·高尔基仍然忠于他的目的和使命:在他的画中,他能够保存失去的家园的形象。他用画笔重现了亚美尼亚西部的景象。他没有改变自己的国家身份,并对继承下来的原则保持忠诚,这让他“像巨人一样强大,但内心却像孩子一样温柔”。凭借他的艺术,高尔基得以实现他所追求的自由。
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