Pilgrimage and Return: A Preliminary Study on the Prototype of James Gunn’s Transcendental Novels

Feiyun Wang
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Abstract

Archetype is the path to the unconscious, myth is one of the forms of archetype in ancient times, and science fiction is a modern myth. What science fiction and myth have in common is the reflection on the current order and the imagination of the unknown world (the dream about the unknown). James Gunn’s “Transcendent”, science fiction series is a contemporary re-writing of Campbell’s heroic model, as well as a re-creation of the pilgrimage narrative model in Chaucer’s Canterbury Tales, with Jung’s immutable archetype lurking behind it. This paper attempts to explore the prototype and mechanism created by James Gunn through the analysis of the hero mode and pilgrimage journey in this series of science fiction. The driving force behind the pilgrimage mode and hero mode is the process of subverting people’s spirit of having no support and longing for direction based on the development of science and technology and trying to find the right answer. It is a manifestation of the human panic at the loss of direction and the growing sense of impending doom.
朝圣与回归:詹姆斯·葛恩的超验小说原型初探
原型是通往无意识的路径,神话是古代原型的一种形式,科幻小说是现代神话。科幻小说和神话的共同之处是对当前秩序的反思和对未知世界的想象(关于未知的梦)。詹姆斯·古恩的《超越》系列科幻小说是对坎贝尔英雄模式的当代重写,也是对乔叟《坎特伯雷故事集》中朝圣叙事模式的再创造,其背后潜藏着荣格不变的原型。本文试图通过对詹姆斯·葛恩系列科幻小说中的英雄模式和朝圣之旅的分析,来探讨其创作的原型和机制。朝圣模式和英雄模式背后的驱动力是颠覆人们基于科技发展而产生的无支撑、向往方向的精神,试图寻找正确答案的过程。这是人类在失去方向和日益增长的厄运感时恐慌的表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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