The Audience’s Acceptance of a Single Parent in The Film "Susah Sinyal”

Muhammad Irawan Saputra, Alfiazahra Alfiazahra, Valenia Juvita Gunadi, Agustina Sitti Anggawen, Sinta Ayudiya Ariani
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Abstract

Children raised by single parents often face more difficulties in family relationships than children raised in intact families. Single parents frequently struggle to balance work and parental responsibilities. Ernest Prakasa’s film Susah Sinyal attempts to raise awareness of the phenomenon of single parenthood by depicting the relationship and struggles of a single mother and her daughter. The objectives of this study were to (1) examine how the audience interprets the representation of single parents in films, and (2) investigate how this representation influences the audience’s understanding of single-parent life in the real world. This study included five children raised by single parents. This is a descriptive study that is divided into two stages using the reception analysis method. The first step is to perform content analysis or encoding. The second stage is decoding, which includes a Focused Group Discussion (FGD). The findings indicate that the representation of single parents in the film has various meanings for the audience. They felt that the film accurately represented their point of view while others said no. This film does not provide many new ideas or alternative perspectives on single-parent family life. Furthermore, the message conveyed in this film could be a reflection of Indonesian society.
电影《Susah Sinyal》中观众对单亲妈妈的接受度
单亲家庭抚养的孩子往往比完整家庭抚养的孩子在家庭关系中面临更多的困难。单亲父母常常难以平衡工作和父母的责任。欧内斯特·普拉卡萨(Ernest Prakasa)的电影《Susah Sinyal》试图通过描绘单身母亲和女儿之间的关系和斗争来提高人们对单身父母现象的认识。本研究的目的是:(1)调查观众如何理解电影中单亲父母的表现,(2)调查这种表现如何影响观众对现实世界中单亲生活的理解。这项研究包括五个由单亲父母抚养的孩子。这是一项描述性研究,使用接收分析方法分为两个阶段。第一步是执行内容分析或编码。第二阶段是解码,其中包括焦点小组讨论(FGD)。研究结果表明,电影中单亲父母的表现对观众有不同的意义。他们觉得这部电影准确地代表了他们的观点,而其他人则表示反对。这部电影并没有提供很多关于单亲家庭生活的新想法或不同的视角。此外,这部电影所传达的信息可能是印度尼西亚社会的反映。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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