Pictures of architects

Naomi Stead
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Abstract

Architects operate in an intensely visual world, and as such visual markers can be seen as keys to their identity, work processes, and practices. Despite the many cliches, how architects dress and the workplaces they operate within are critical indicators of culture, of individual and collective identity–as creative, and as gendered. The image of an architect, the image of a woman architect, and the image of the architectural office as workplace, thus emerge as central to the concerns of a large research project investigating gender equity and women’s participation in the Australian architecture profession. This chapter reflects on two bodies of visual research related to that project-investigating the architectural workplace and architects as professionals. Despite a long and active history in Australian architecture, women architects still tend to be less ‘visible’ than their male counterparts, and to cluster in the lower levels of the profession. There are also many women working in the field who do not appear in conventional measures of professional participation-that is, they are almost entirely invisible. Employing tools and concepts drawn from visual sociology, this chapter analyses photographic images through the lens of identity, belonging, and the quotidian aspects of architectural work. Questions of persona and performance, and the gendered workplace in architecture, all equally emerge.
建筑师图片
建筑师在一个强烈的视觉世界中工作,因此视觉标记可以被视为他们身份、工作过程和实践的关键。尽管有许多陈词滥调,但建筑师的着装和他们工作的工作场所是文化、个人和集体身份的关键指标——创造性和性别。建筑师的形象,女性建筑师的形象,以及作为工作场所的建筑办公室的形象,因此成为一个大型研究项目的核心,该项目调查性别平等和女性在澳大利亚建筑行业的参与。本章反映了与该项目相关的两个视觉研究机构——调查建筑工作场所和作为专业人士的建筑师。尽管在澳大利亚建筑界有着悠久而活跃的历史,但与男性建筑师相比,女性建筑师仍然不那么“引人注目”,并且集中在较低层次的职业中。还有许多在这个领域工作的女性没有出现在传统的专业参与标准中——也就是说,她们几乎完全是隐形的。本章采用视觉社会学的工具和概念,通过身份、归属和建筑作品的日常方面来分析摄影图像。角色和表现的问题,以及建筑中的性别工作场所,都同样出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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