Reconsideration on the Formation and Function of Eumseongseo Given the Article on Ureuk

T. Yun
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Abstract

According to the article on Ureuk (于勒) recorded in 'Akji' (樂志, music section) of Samguksagi (三國史記), there is the statement that King Gasil (嘉室王) had invented gayageum (plucked zither) after seeing musical instruments of ‘Tang (唐).’ It is clear that this statement could only appear after 618 when the Tang Dynasty was founded. Moreover, it is after September 644 that Silla's hyeon (prefecture) can be placed in Seongyeol-hyeon, which is the hometown of Ureuk. Since the name of Seongyeol-hyeon does not appear in the 'Jiriji' of the Samguksagi, it seems that the place name of Seongyeol-hyeon was used before 685 when the basic town name of the 'Jiriji' of the Samguksagi was decided. From the perspective of organizing music-related literature, if the writing of this document is regarded as Eumseongseo (音聲署), it seems that the birth of this record is related to 651, the point at which it was officially said that daesa (大舍) was placed in Eumseongseo. In that article, it is also found that gyego (階古) and juji (注知) were recorded as daenama (大奈麻, the 10th grade in the 17-grade system of Silla) while mandeok (萬德) as daesa (12th grade). However, in that mandeok 's official position corresponds to daesa of the Eumseongseo and a structure in which two superiors are located at the top can be found, it is believed that the prototype of the organization Eumseongseo was found even around the 550s, which is almost 100 years from 651. What had changed around 651 was that Silla music was documented, historicized, and systematized, judging from the point at which it was presumed that an article related to Ureuk in 'Akji' was written, as inferred earlier. In addition, paying attention to the fact that there are at least two people at the top of daesa , it is inferred the situation when the minister of Eumseongseo was jang (長) before being reorganized into gyeong (卿) in 687. In this regard, attention was paid to Seongcheon (星川), who appeared in 664. Considering the context of the narrative in which this character appears, Seongcheon is considered to be a character corresponding to daenama and has something in common with the cases of gyego and juji . Considering that the official position of gyeong in Eumseongseo corresponds to geupchan (級飡, 9th grade) to achan (阿飡, 6th grade), it is thought to give a clue that this is reorganized from jang to gyeong , and the position of the official has risen. It is believed to thank to the process of documentation, historicization, and systematization mentioned above. Therefore, gyeong of Eumseongseo, which was initially promoted thanks to the temporary expansion of music-related business, was able to maintain its prestige not only in the short term but also in the long term, thanks to such historical trends.
从《尤力克》一文再论阴城书的形成和作用
根据《三国志》(《三国志》)《Akji》(《曲谱》)中记载的关于乌列克的文章,有一种说法是,迦西尔王(《字形》)在看到“唐”(《字形》)的乐器后发明了伽倻琴(弹弦琴)。很明显,这句话只能出现在唐朝建立的618年之后。而且,新罗的县要到公元644年9月以后才可以被安置在乌禄的故乡城烈县。由于在《三国史记》的“智地”中没有出现“城烈贤”这个名字,因此,在确定《三国史记》的基本地名“智地”的685年之前,城烈贤的地名可能已经被使用。从组织的角度与音乐有关的文献,如果本文的写作被认为是Eumseongseo(音聲署),似乎这个记录的诞生与651年的官方说,daesa(大舍)是Eumseongseo放置。在那篇文章中,我们还发现,“义古”和“居士”被记录为“大悲”(“大悲”,新罗17级制中的第10级),而“万德”被记录为“大悲”(“大悲”,12级)。但是,从万德的官职与阴城西的大司相对应,再加上可以看到由两名长官组成的结构,可以推测,阴城西组织的雏形出现在公元550年左右,距离651年已经过去了近100年。651年前后发生的变化是,新罗音乐被记录下来,被历史化,并被系统化,这是从之前推断的《阿记》中有关乌律的文章被写出来的角度来判断的。另外,考虑到在大司最高职位上至少有两人,可以推测出687年殷城绪的大臣是张(音),之后被改为卿(音)。在这方面,人们关注的是出现在664年的成川。考虑到这个人物出现的故事背景,成天被认为是与大悲相对应的人物,与圭古和巨己的情况有共同之处。据分析,殷城书的官职“京”对应的是“居禅”(飡,9级)到“阿禅”(飡,6级),因此,从“张”改为“京”,官职得到了提升。人们认为,这要归功于上述文献化、历史化和系统化的过程。因此,最初因音乐相关事业的暂时扩张而崛起的阴城西京,在这样的历史趋势下,不仅在短期内,而且在长期内保持了声望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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