The Hidden Fairy Tale: Oskar Kokoschka’s Die träumenden Knaben

Jelena U. Reinhardt
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Abstract

Kokoschka’s first literary work The Dreaming Youths (Die träumenden Knaben) was published in 1908. The work includes a poem with eight colored and two black and white lithographs. Although the young artist was commissioned by the Wiener Werkstätte to make a children’s picture book, the end result seemed quite different: a sort of personal tale of self-discovery and sexual awakening during puberty placed in a dream scenario. Kokoschka himself remembers in his autobiography only following the task in the first lithograph. The aim of this paper is to show how Kokoschka actually continued to draw on the language of fairy tales, although apparently taking distance from it. The crucial role of children’s literature in adult life emerges especially within the process of shaping childhood memories and approaching traumatic experiences. The use of fairy tales becomes, therefore, an autobiographical urge and a means to tell personal experience through a universal language.
传说中的孩童奥斯卡·柯科什卡
科科什卡的第一部文学作品《梦想的青年》(Die träumenden Knaben)出版于1908年。该作品包括一首诗,有8幅彩色平版和2幅黑白平版。虽然这位年轻的艺术家受Wiener Werkstätte的委托制作了一本儿童图画书,但最终的结果似乎完全不同:这是一个关于青春期自我发现和性觉醒的个人故事,发生在一个梦的场景中。Kokoschka在他的自传中只记得第一个平版版画的任务。这篇论文的目的是展示科科施卡是如何继续利用童话的语言的,尽管显然与它有所距离。儿童文学在成人生活中的关键作用尤其体现在塑造童年记忆和接近创伤经历的过程中。因此,童话故事的使用成为一种自传体的冲动和一种通过通用语言讲述个人经历的手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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