“The Long Road of Reconciliation”

Dirk Gindt
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引用次数: 1

Abstract

Grounded in performance theories and Indigenous methodologies, this essay focuses on the 2021 solemn service in Uppsala Cathedral, when the Church of Sweden apologized for its historical complicity in the colonization of Sápmi. The essay discusses key rhetorical features of the Archbishop’s apology and analyses how the service incorporated Sámi visual, material, oral, and performance cultures. Of specific interest are five Sámi testimonies about settler colonialism and artist Anders Sunna’s redesign of the sanctuary. To tease out the contextual specificities (and limitations) of the apology and situate it as part of unfolding decolonial processes across the circumpolar North, the essay draws selective comparisons to Canada’s Truth and Reconciliation Commission and former Prime Minister Stephen Harper’s 2008 formal apology to First Nations, Inuit, and Métis Peoples.
“漫长的和解之路”
本文以表演理论和本土方法为基础,重点关注2021年在乌普萨拉大教堂举行的庄严仪式,当时瑞典教会为其在Sápmi殖民中的历史同谋道歉。本文讨论了大主教道歉的主要修辞特征,并分析了该服务如何结合Sámi视觉,材料,口头和表演文化。特别有趣的是五个Sámi关于定居者殖民主义和艺术家Anders Sunna重新设计的避难所的证词。为了梳理出道歉的背景特殊性(和局限性),并将其作为在北极圈北部展开的非殖民化进程的一部分,本文选择性地将其与加拿大真相与和解委员会和前总理斯蒂芬·哈珀2008年对第一民族、因纽特人和姆萨迪斯人的正式道歉进行了比较。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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