{"title":"Toussaint and the Staging of Political Aesthetics in Harriet Martineau’s The Hour and the Man (1841)","authors":"","doi":"10.2307/j.ctv177tg99.5","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":142258,"journal":{"name":"DECIPHERING RACE","volume":"20 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"DECIPHERING RACE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv177tg99.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}