Cultural Tourists and Cultural Trends: Commercialization and the Coming of the Storm

G. Crawford
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引用次数: 9

Abstract

This paper constructs a brief history of British ice hockey and The Manchester Storm (the self-proclaimed largest ice hockey club outside of North America), focusing specifically on the re-emergence and commercialisation of the sport in the 1990s. The paper argues that ice hockey has a long (but marginalized history) within British culture, but has always been heavily tied to North America in both its style of presentation and in its personnel. However, the 1990s has seen a specific move towards a more, family-based, ‘affluent working class’ core of supporters, and a popularity based largely upon the novelty and ‘family-orientated’ entertainment that surrounds the sports event. A popularity, which I suggest, may be reducing as the novelty of the sport begins to fade with many of its supporters, and these ‘cultural tourist’ move onto new and fresher (cultural) pastures.
文化游客与文化趋势:商业化与风暴的来临
本文构建了英国冰球和曼彻斯特风暴(自称是北美以外最大的冰球俱乐部)的简史,特别关注这项运动在20世纪90年代的复兴和商业化。论文认为,冰球在英国文化中有着悠久的(但被边缘化的)历史,但在比赛风格和人员方面,它一直与北美紧密相连。然而,在20世纪90年代,人们看到了一个具体的趋势,即更多地以家庭为基础,“富裕的工人阶级”核心支持者,以及主要基于围绕体育赛事的新奇和“以家庭为导向”的娱乐的流行。我认为,随着许多支持者对这项运动的新鲜感开始消退,这些“文化游客”转向了新的、更新鲜的(文化)牧场,这种受欢迎程度可能会降低。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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