Juxtaposition as a Cornerstone for Approaching Diversity in the Built Environment

Raya M. Atour
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Abstract

Arguably many contemporary architectural theories and movements have spout in reaction to Modernism, which made the architectural theory discipline branched and divergent. This paper examines a scenario of approaching contrasting built environments in which their identities are constantly changing and where the post-modernists fractural nature of intellectual reactions and criticism led to an arguable tension that needs intervention. The data – based on literature review, participant-produced visual material, and phenomenological reflection are examined with a focus on investigating the role of juxtaposition in proliferating the concept of diversity in the built environment. Although the topic is originally theory-loaded, the analysis is hybrid and uses visual explorations as well as theoretical frameworks to produce multi-objective answers in which diversity in the built environment can be conceived, perceived, and lived. By taking the concept of juxtaposition as a cornerstone in this argument, this paper proposes an understanding of the overwhelmingly open world the modern human found themselves exposed to and suggests options and solutions to achieve diversity where abstract concepts can be cast into form in different architectural typologies.
并置作为建筑环境多样性的基石
可以说,许多当代建筑理论和运动都是对现代主义的反应,这使得建筑理论学科出现了分支和分歧。本文研究了一种接近对比建筑环境的场景,在这种环境中,它们的身份不断变化,后现代主义的智力反应和批评的断裂性质导致了一种需要干预的可争论的紧张关系。基于文献综述、参与者制作的视觉材料和现象学反思的数据被检查,重点是调查并置在建筑环境中增殖多样性概念中的作用。虽然该主题最初是理论负载,但分析是混合的,并使用视觉探索和理论框架来产生多目标答案,其中建筑环境的多样性可以被构思,感知和生活。通过将并置的概念作为这一论点的基石,本文提出了对现代人所面临的压倒性开放世界的理解,并提出了实现多样性的选择和解决方案,在这种多样性中,抽象概念可以在不同的建筑类型学中形成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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