Tükör által

Ferenc Takó
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Abstract

In the first part of the present study (East Asian Studies 2017:2) I examined thetechniques used by Meiji intellectuals in translating Western philosophicalterms. In the present paper, I widen the scope of that analysis by examiningthe problems of positioning Japan in the context of what is called “world history” in Western philosophical tradition. This was an extremely challengingtask, as most of the interpretations of Weltgeschichte placed “the East” as suchon the starting point of the historical progress. This idea cannot easily be harmonised with the notion of kokutai 国体, which seemed to be, on the otherhand, a prerequisite of building a Western-like “nation-state” in Japan. In thispaper I examine the ways in which leading Japanese intellectuals such asKatō Hiroyuki 加藤弘之, Mori Arinori 森有礼, Sakatani Shiroshi 坂谷素,Watsuji Tetsurō 和辻哲郎 and Nishida Kitarō 西田幾多郎 handled the tension between the “West” and the “East”, and how Japan was reflected in the“mirror” of the West in their writings.
在本研究的第一部分(东亚研究2017:2)中,我考察了明治知识分子在翻译西方哲学术语时使用的技巧。在这篇论文中,我通过审视在西方哲学传统中所谓的“世界史”背景下定位日本的问题,扩大了这一分析的范围。这是一项极具挑战性的任务,因为大多数对世界观的解释都将“东方”作为历史进程的起点。这个想法很难与“国台”的概念相协调,而后者似乎是在日本建立一个类似西方的“民族国家”的先决条件。在本文中,我考察了日本主要知识分子,如胜广之、森有则、坂谷七隆、Watsuji哲一、西田北一等人是如何处理“西方”与“东方”之间的紧张关系的,以及日本如何在他们的作品中反映在西方的“镜子”中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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