Simular el Territorio

Ignacio Rodríguez Srabonián
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Abstract

The territory is a figure that can be though of from the simulacrum. This represents a possible threat to interpretation since it does not maintain a distance from its referent. Its geographical image may not differ from the territory or vice versa. The same happens photography inherited from the mimetic tradition where its realism has produced social effects applied to advertising, science or spectacularization practices. From this perspective, Punta del Este is seen as an example of a tourist city in dispute over territory and public spaces. The displacement of communities, the exceptions to construction regulations, competition for advertising spaces, among others, are examples of the tensions that occur in this place. However, they are not always part of what is visible or narrated. The visit to the art project Bienvenidos is proposed as a trigger to think about devices that enunciate from an extra-academic place and to think about tensions linked to the territory and public spaces. Bienvenidos is a project that aims to point out and give visibility to some processes of exclusion that the city presents as a territory in tension of public and private exchanges. Use strategies such as staging and resources associated with advertising and real estate market.The artistic project is proposed to think from a contemporary point of view the territory as one more form of subjective production related to consumer practices and social segmentation.
模拟领土
领土是一个可以从拟像中想到的数字。这可能会对解释造成威胁,因为它与所指物没有保持距离。它的地理形象可能与领土没有区别,反之亦然。同样的情况也发生在模仿传统的摄影中,它的现实主义产生了社会效应,应用于广告,科学或壮观的实践。从这个角度来看,埃斯特角城被视为一个在领土和公共空间方面存在争议的旅游城市的例子。社区的迁移、建筑法规的例外、广告空间的竞争等等,都是这个地方发生的紧张局势的例子。然而,它们并不总是可见或叙述的一部分。对艺术项目Bienvenidos的访问被提议作为一个触发器来思考从一个非学术场所发出的设备,并思考与领土和公共空间相关的紧张关系。Bienvenidos是一个项目,旨在指出和展示城市作为公共和私人交流紧张的领土所呈现的一些排斥过程。使用策略,如与广告和房地产市场相关的舞台和资源。该艺术项目旨在从当代的角度来思考与消费者实践和社会细分相关的另一种主观生产形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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