Front matter
Dimitrios Gunopoulos, L. Tanca, Jun Yang
{"title":"Front matter","authors":"Dimitrios Gunopoulos, L. Tanca, Jun Yang","doi":"10.1137/1.9781611974782.fm","DOIUrl":null,"url":null,"abstract":"\"Universal design provides a blueprint for maximum inclusion of all people\" [7]. This statement is now nearly 20 years old. The present collection of papers from the 3rd International Conference on Universal Design (UD 2016) is testament to the fact that Universal Design is now benefitting from a climate that is more knowledgeable about, and possibly more accommodating of, individual differences between people. However, there are still many open issues, and much to be learnt from exchanging experiences between all stakeholders interested in Universal Design, be they policy makers, practitioners or researchers. This is due to the many changes in society, the environment and technology that have occurred in the last two decades. In this collection of papers from the conference, we cover many areas of theory and practice of Universal Design, with applications from the built environment and tangible products, to communication, services, and system design issues. There are also papers about advocating and teaching Universal Design, debates about policy, and about codes, regulations and standards. We hope the collection is a useful way for policy makers, practitioners and researchers interested in these different strands of work to learn and exchange ideas and best practices, and to break down the \"silos\" that inevitably emerge in any group attempting to address a topic of mutual interest from many perspectives. In gathering together these different strands, we also need to reflect on the current manifestations of Universal Design, and what implications there are for the years to come. We need to look back to where we came from, and to look forward to the future shaping of Universal Design. With the benefit of nearly 20 years since the publication of the Principles of Universal Design Principles of Universal Design Version 2.0 4/1/97. © Copyright 1997 NC State University, The Center for Universal Design, an initiative of the College of Design. Compiled by advocates of universal design, listed in alphabetical order: Bettye Rose Connell, Mike Jones, Ron Mace, Jim Mueller, Abir Mullick, Elaine Ostroff, Jon Sanford, Ed Steinfeld, Molly Story, & Gregg Vanderheiden https://www.ncsu.edu/project/design-projects/sites/cud/content/principles/principles.html. , we can review some of the terminology and its development around the concept of Universal Design. From the outset, the term referred to a broad spectrum of applications. It covered the design of buildings, products and environments, and the need for these to be inherently accessible to older people, people without disabilities, and people with disabilities. More specifically, the term Universal Design was defined in 1997 as \"the design of products and environments to be usable by all people, to the greatest extent possible, without the need for adaptation or specialized design\" https://www.ncsu.edu/ncsu/design/cud/about_ud/about_ud.htm. . As with all concise definitions, it has been necessary to emphasise and add to this statement, for instance: • Universal Design is really about including all people and not a euphemism for \"design for those with a disability\". It is about products, services, and environments being usable, to the greatest extent possible, by everyone, regardless of their age, ability, cultural background or status in life [1]. • The phrase \"to the greatest extent possible\" was added to counter criticism that Universal Design was a utopian ideal, and to underscore that Universal Design is a practical as well as conceptual approach. • The focus of Universal Design is on mainstream products, services, and environments and not on adaptations or specialist products, services, and environments. • Universal Design emphasises the need to design from the outset for the widest possible range of users, rather than try to make modifications later on, whether during the design process or after release. • Products, services, and environments should also be aesthetically pleasing as well as non-discriminatory and non-stigmatising. Most of these elaborations are enshrined in the Principles of Universal Design. This is a set of seven principles that were developed to lay out guidance for the design of environments, products and communications, to evaluate existing designs, and to educate both designers and consumers about the characteristics of more usable products and environments. In addition, other terms have come into being, responding to the need to explain different aspects of the Universal Design spectrum. In 1998, at the \"Designing for the 21st Century Conference\" Ron Mace's presentation differentiated between the meanings and practices associated with the terms \"Barrier-Free Design\", \"Assistive Technology\" and \"Universal Design\" [2]. At the turn of the millennium, \"Design for All\" was the term adopted by the European Commission which focused on ensuring that environments, products, services and interfaces of the Information Society Technologies (ISTs) work for people of all ages and abilities in different situations and under various circumstances [6, 8]. It spelt out the \"adaptation or specialized design\" with a three-part strategy: • Design of IST products, services and applications which are demonstrably suitable for most of the potential users without any modifications. • Design of products which are easily adaptable to different users (e.g. by incorporating adaptable or customisable user interfaces). • Design of products which have standardised interfaces, capable of being accessed by specialised user interaction devices [6]. Alongside setting out this strategy, the definition of Design for All made a conscious effort to make the concept more widely acceptable by explaining how Design for All could benefit not just consumers of ISTs, but also producers, and give wider social and economic benefit. Amongst other things, adopting a Design for All approach would help deal proactively with the demographic trend of the aging population, and benefit businesses with increased sales of innovatively designed products that everyone could use. In short, Design for All advocated a policy of mutual benefit, where the \"for all\" descriptor included more than the user population. However, as with the term Universal Design, Design for All was misinterpreted, and accused firstly of the impractical aim of trying to accommodate everyone without exception. Secondly, there was a confusion that Design for All in its insistence on minimizing adaptation, was advocating a \"one design fits all\" stance, evidenced by the question posed at the time \"Could you imagine a pair of shoes being designed in such way that everybody would want to wear them?\" A preferred term to Design for All in the English-speaking European literature is \"Inclusive Design\". Coined by Roger Coleman in 1994 RICA (Research Institute for Consumer Affairs) (2016) Inclusive Design: manufacturing, design, and retail expert views available from rica.org.uk. , this was an elegant apposition to the marketing term \"exclusive design\" as well as being a way of bringing in the notion of social equity that is part of the ethos of Universal Design and enshrined in the first of the seven Principles of Universal Design. Interestingly, in 2005, the British Standards Institute described Inclusive Design in its \"Guide to Managing Inclusive Design\" as \"comprehensive, integrated design which encompasses all aspects of a product used by consumers of diverse age and capability in a wide range of contexts\" BS 7000-6:2005, Design management systems. Managing inclusive design. Guide. . The emphasis is firmly on products, as noted by the compilers of the Inclusive Design Toolkit Inclusive Design Toolkit, What is Inclusive Design, Section: Comparison with Universal Design, http://www.inclusivedesigntoolkit.com/betterdesign2/whatis/whatis.html#p3b. . However in the guide itself, the definition is widened to include services: \"the design of mainstream products and/or services that are accessible to, and usable by, as many people as reasonably possible without the need for special adaptation or specialised design\" BS 7000-6, 2005. Design Management Systems: Managing Inclusive Design, BSi, London, UK. http://shop.bsigroup.com/en/ProductDetail/?pid=000000000030142267. . With the term Inclusive Design, the notion that the design is of mutual benefit to all stakeholders, as in Design for All, was lost. It is perhaps telling that the Scandinavian countries with their tradition of collaborative and participatory design are the main supporters of the term Design for All as the most appropriate one to use [6]. It is a term no longer in such evident use by the European Commission. However, it is notable that in the proposal for what is being more commonly referred to as the European Accessibility Act, there is a somewhat awkward paraphrase \"Accessibility following a 'design for all' approach\" Section 1.2, European Commission (2015) COM(2015) 615 final2015/0278 (COD) Proposal for a Directive of the European Parliament and of the Council on the approximation of the laws, regulations and administrative provisions of the Member States as regards the accessibility requirements for products and services. which could be understood as an attempt to keep the \"mutual benefit\" notion, since the Directive is not calling for human rights non-discriminatory legislation directly, but for support of the Single Market. 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引用次数: 0
Abstract
"Universal design provides a blueprint for maximum inclusion of all people" [7]. This statement is now nearly 20 years old. The present collection of papers from the 3rd International Conference on Universal Design (UD 2016) is testament to the fact that Universal Design is now benefitting from a climate that is more knowledgeable about, and possibly more accommodating of, individual differences between people. However, there are still many open issues, and much to be learnt from exchanging experiences between all stakeholders interested in Universal Design, be they policy makers, practitioners or researchers. This is due to the many changes in society, the environment and technology that have occurred in the last two decades. In this collection of papers from the conference, we cover many areas of theory and practice of Universal Design, with applications from the built environment and tangible products, to communication, services, and system design issues. There are also papers about advocating and teaching Universal Design, debates about policy, and about codes, regulations and standards. We hope the collection is a useful way for policy makers, practitioners and researchers interested in these different strands of work to learn and exchange ideas and best practices, and to break down the "silos" that inevitably emerge in any group attempting to address a topic of mutual interest from many perspectives. In gathering together these different strands, we also need to reflect on the current manifestations of Universal Design, and what implications there are for the years to come. We need to look back to where we came from, and to look forward to the future shaping of Universal Design. With the benefit of nearly 20 years since the publication of the Principles of Universal Design Principles of Universal Design Version 2.0 4/1/97. © Copyright 1997 NC State University, The Center for Universal Design, an initiative of the College of Design. Compiled by advocates of universal design, listed in alphabetical order: Bettye Rose Connell, Mike Jones, Ron Mace, Jim Mueller, Abir Mullick, Elaine Ostroff, Jon Sanford, Ed Steinfeld, Molly Story, & Gregg Vanderheiden https://www.ncsu.edu/project/design-projects/sites/cud/content/principles/principles.html. , we can review some of the terminology and its development around the concept of Universal Design. From the outset, the term referred to a broad spectrum of applications. It covered the design of buildings, products and environments, and the need for these to be inherently accessible to older people, people without disabilities, and people with disabilities. More specifically, the term Universal Design was defined in 1997 as "the design of products and environments to be usable by all people, to the greatest extent possible, without the need for adaptation or specialized design" https://www.ncsu.edu/ncsu/design/cud/about_ud/about_ud.htm. . As with all concise definitions, it has been necessary to emphasise and add to this statement, for instance: • Universal Design is really about including all people and not a euphemism for "design for those with a disability". It is about products, services, and environments being usable, to the greatest extent possible, by everyone, regardless of their age, ability, cultural background or status in life [1]. • The phrase "to the greatest extent possible" was added to counter criticism that Universal Design was a utopian ideal, and to underscore that Universal Design is a practical as well as conceptual approach. • The focus of Universal Design is on mainstream products, services, and environments and not on adaptations or specialist products, services, and environments. • Universal Design emphasises the need to design from the outset for the widest possible range of users, rather than try to make modifications later on, whether during the design process or after release. • Products, services, and environments should also be aesthetically pleasing as well as non-discriminatory and non-stigmatising. Most of these elaborations are enshrined in the Principles of Universal Design. This is a set of seven principles that were developed to lay out guidance for the design of environments, products and communications, to evaluate existing designs, and to educate both designers and consumers about the characteristics of more usable products and environments. In addition, other terms have come into being, responding to the need to explain different aspects of the Universal Design spectrum. In 1998, at the "Designing for the 21st Century Conference" Ron Mace's presentation differentiated between the meanings and practices associated with the terms "Barrier-Free Design", "Assistive Technology" and "Universal Design" [2]. At the turn of the millennium, "Design for All" was the term adopted by the European Commission which focused on ensuring that environments, products, services and interfaces of the Information Society Technologies (ISTs) work for people of all ages and abilities in different situations and under various circumstances [6, 8]. It spelt out the "adaptation or specialized design" with a three-part strategy: • Design of IST products, services and applications which are demonstrably suitable for most of the potential users without any modifications. • Design of products which are easily adaptable to different users (e.g. by incorporating adaptable or customisable user interfaces). • Design of products which have standardised interfaces, capable of being accessed by specialised user interaction devices [6]. Alongside setting out this strategy, the definition of Design for All made a conscious effort to make the concept more widely acceptable by explaining how Design for All could benefit not just consumers of ISTs, but also producers, and give wider social and economic benefit. Amongst other things, adopting a Design for All approach would help deal proactively with the demographic trend of the aging population, and benefit businesses with increased sales of innovatively designed products that everyone could use. In short, Design for All advocated a policy of mutual benefit, where the "for all" descriptor included more than the user population. However, as with the term Universal Design, Design for All was misinterpreted, and accused firstly of the impractical aim of trying to accommodate everyone without exception. Secondly, there was a confusion that Design for All in its insistence on minimizing adaptation, was advocating a "one design fits all" stance, evidenced by the question posed at the time "Could you imagine a pair of shoes being designed in such way that everybody would want to wear them?" A preferred term to Design for All in the English-speaking European literature is "Inclusive Design". Coined by Roger Coleman in 1994 RICA (Research Institute for Consumer Affairs) (2016) Inclusive Design: manufacturing, design, and retail expert views available from rica.org.uk. , this was an elegant apposition to the marketing term "exclusive design" as well as being a way of bringing in the notion of social equity that is part of the ethos of Universal Design and enshrined in the first of the seven Principles of Universal Design. Interestingly, in 2005, the British Standards Institute described Inclusive Design in its "Guide to Managing Inclusive Design" as "comprehensive, integrated design which encompasses all aspects of a product used by consumers of diverse age and capability in a wide range of contexts" BS 7000-6:2005, Design management systems. Managing inclusive design. Guide. . The emphasis is firmly on products, as noted by the compilers of the Inclusive Design Toolkit Inclusive Design Toolkit, What is Inclusive Design, Section: Comparison with Universal Design, http://www.inclusivedesigntoolkit.com/betterdesign2/whatis/whatis.html#p3b. . However in the guide itself, the definition is widened to include services: "the design of mainstream products and/or services that are accessible to, and usable by, as many people as reasonably possible without the need for special adaptation or specialised design" BS 7000-6, 2005. Design Management Systems: Managing Inclusive Design, BSi, London, UK. http://shop.bsigroup.com/en/ProductDetail/?pid=000000000030142267. . With the term Inclusive Design, the notion that the design is of mutual benefit to all stakeholders, as in Design for All, was lost. It is perhaps telling that the Scandinavian countries with their tradition of collaborative and participatory design are the main supporters of the term Design for All as the most appropriate one to use [6]. It is a term no longer in such evident use by the European Commission. However, it is notable that in the proposal for what is being more commonly referred to as the European Accessibility Act, there is a somewhat awkward paraphrase "Accessibility following a 'design for all' approach" Section 1.2, European Commission (2015) COM(2015) 615 final2015/0278 (COD) Proposal for a Directive of the European Parliament and of the Council on the approximation of the laws, regulations and administrative provisions of the Member States as regards the accessibility requirements for products and services. which could be understood as an attempt to keep the "mutual benefit" notion, since the Directive is not calling for human rights non-discriminatory legislation directly, but for support of the Single Market. (ABSTRACT TRUNCATED)
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在世纪之交,“面向所有人的设计”是欧洲委员会采用的术语,其重点是确保信息社会技术(ISTs)的环境、产品、服务和接口在不同的情况下为所有年龄和能力的人工作[6,8]。它阐述了“适应或专门设计”的三部分策略:•设计技术创新产品、服务和应用程序,证明适合大多数潜在用户,而无需任何修改。•设计易于适应不同用户的产品(例如,通过合并可适应或可定制的用户界面)。•具有标准化界面的产品设计,能够通过专门的用户交互设备进行访问[6]。在制定这一战略的同时,“全民设计”的定义有意识地努力使这一概念得到更广泛的接受,解释了“全民设计”如何不仅有利于互联网的消费者,也有利于生产者,并带来更广泛的社会和经济效益。除其他外,采用面向所有人的设计方法将有助于积极应对人口老龄化的人口趋势,并使企业受益,增加创新设计的产品的销售,每个人都可以使用。简而言之,为所有人设计提倡一种互惠互利的政策,其中“为所有人”描述符包括的不仅仅是用户群体。然而,就像通用设计一词一样,面向所有人的设计被误解了,首先被指责为试图毫无例外地适应每个人的不切实际的目标。其次,“全民设计”坚持最小化适应性,提倡“一种设计适合所有人”的立场,这是一种困惑,当时提出的问题证明了这一点:“你能想象一双鞋被设计成人人都想穿的样子吗?”在以英语为母语的欧洲文献中,“为所有人设计”的首选术语是“包容性设计”。由罗杰·科尔曼于1994年创造,RICA(消费者事务研究所)(2016)包容性设计:制造、设计和零售专家的观点,可从rica.org.uk获得。,这是对营销术语“独家设计”的优雅反驳,也是引入社会公平概念的一种方式,这是通用设计精神的一部分,并被奉为通用设计七原则中的第一条。有趣的是,2005年,英国标准协会在其“管理包容性设计指南”中将包容性设计描述为“全面的、综合的设计,它涵盖了不同年龄和能力的消费者在各种情况下使用产品的所有方面”BS 7000-6:2005,设计管理系统。管理包容性设计。指导。。正如包容性设计工具包的编纂者所指出的,重点是产品,包容性设计工具包,什么是包容性设计,章节:与通用设计的比较,http://www.inclusivedesigntoolkit.com/betterdesign2/whatis/whatis.html#p3b. .然而,在指南本身中,定义被扩大到包括服务:“主流产品和/或服务的设计,使尽可能多的人可以访问和使用,而不需要特殊的改编或专门的设计”BS 7000- 6,2005。设计管理系统:管理包容性设计,BSi,伦敦,英国。http://shop.bsigroup.com/en/ProductDetail/?pid=000000000030142267。。在“包容性设计”一词中,设计对所有利益相关者都有利的概念,如“为所有人设计”,已经消失了。这可能说明斯堪的纳维亚国家具有合作和参与式设计的传统,是“为所有人设计”一词的主要支持者,因为它是最合适的使用[6]。欧盟委员会不再如此明显地使用这个术语。然而,值得注意的是,在通常被称为欧洲无障碍法案的提案中,有一个有点尴尬的解释“无障碍遵循'为所有人设计'的方法”第1.2节,欧盟委员会(2015)COM(2015) 615 final2015/0278 (COD)欧洲议会和理事会关于近似法律的指令提案。成员国关于产品和服务无障碍要求的法规和行政规定。这可以理解为试图保持“互利”的概念,因为该指令并没有直接要求人权非歧视立法,而是要求支持单一市场。(抽象截断)
本文章由计算机程序翻译,如有差异,请以英文原文为准。