“Real” Wrestling

Sharon Mazer
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Abstract

Professional wrestling is an unsporting sport, a theatrical entertainment that is not theatre. Its display of violence is less contest than ritualized encounter between opponents, replayed repeatedly over time for an exceptionally engaged audience. To watch wrestling and write about its performance is to attempt to come to terms with the significance of a highly popular performance practice as it intersects, exploits, and parodies the conventions of both sport and theatre. Rather than simply reflecting and reinforcing moral clichés, professional wrestling puts contradictory ideas into play, as with its audience it replays, reconfigures, and celebrates a range of performative possibilities. Beyond its spectacular elements, professional wrestling is an athletic performance practice, constructed around the display of the male body and a tradition of cooperative rather than competitive exchanges of apparent power between men as directed by the promoter. The fight is fixed, in the squared circle as in life.
“真正的”摔跤
职业摔跤是一项非体育运动,一种不是戏剧的戏剧娱乐。它对暴力的展示与其说是竞争,不如说是对手之间仪式化的遭遇,在一段时间内反复播放,吸引着非常投入的观众。观看摔跤并写下它的表演,就是试图理解一种高度流行的表演实践的意义,因为它交叉、利用和模仿了体育和戏剧的惯例。职业摔跤不是简单地反映和强化道德上的陈词滥调,而是将相互矛盾的想法投入其中,在观众面前重播、重新配置和庆祝一系列表演的可能性。在其壮观的元素之外,职业摔跤是一种体育表演练习,围绕着男性身体的展示和一种传统,即在发起人的指导下,男性之间合作而不是竞争地交换表面上的权力。战斗是固定的,在正方形的圆圈里,就像在生活中一样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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