Historical Time, Cultural Time, and Biological Time in Baudelaire

T. Klinkert, N. Bender, Gisèle Séginger
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Abstract

Baudelaire’s poetics of modernity is the expression of a historical consciousness: beauty is composed of “an eternal, invariable element” and of “a relative, circumstantial element” (Le Peintre de la vie moderne). In Baudelaire’s poetic texts, the duality of beauty, pertaining to a historical order of time, is realized by a tension between two other orders of time, namely the order of biological time, which implies that humans are mortal, and the order of cultural time, whose function is to transcend individual death. This contribution analyses the interrelations between these three orders of time.
波德莱尔的历史时间、文化时间和生物时间
波德莱尔的现代性诗学是一种历史意识的表达:美是由“永恒的、不变的因素”和“相对的、环境的因素”(Le Peintre dela vie moderne)组成的。在波德莱尔的诗歌文本中,与历史时间秩序有关的美的二重性是通过另外两种时间秩序之间的紧张关系来实现的,即生物时间秩序,这意味着人类是必死的,而文化时间秩序,其功能是超越个人死亡。这篇论文分析了这三个时间顺序之间的相互关系。
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