De la dictadura a la posdictadura: variaciones de Macbeth en el teatro argentino

Philobiblion: revista de literaturas hispánicas Pub Date : 2017-06-05 DOI:10.15366/philobiblion2016.3.009

Alba Saura Clares

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Abstract

La reflexión sobre la corrupción y el poder que realizara William Shakespare con Macbeth encuentra, en diversos contextos, interesantes revisiones que proponen nuevos focos de interés. En este estudio nos acercaremos a dos propuestas argentinas de esta tragedia, las cuales nos permiten percibir el diálogo con la obra canónica y, a su vez, comprobar las variaciones ejercidas en relación a los diferentes contextos de producción: Macbeth (1980) de Carlos Somigliana, durante la dictadura autodenominada Proceso de Reorganización Nacional (1976-1983), y La señora Macbeth (2002) de Griselda Gambaro, bajo la estela de la posdictadura.Palabras clave: Macbeth; Dictadura; Posdictadura; Somigliana; GambaroFrom Dictatorship to Post-dictatorship: Variations on Macbeth in Argentine theatreAbstract: William Shakespeare’s reflection about corruption and power in Macbeth contexts gives rise to evocative revisions of the text in different contexts, generating new points of interest. In this paper we will analyse two Argentinian versions of this tragedy allowing us to look at the dialogue with the canonical playwright and to explore their variations depending on their contexts of production: Macbeth (1980) by Carlos Somigliana, written during the dictatorship known as Proceso de Reorganización Nacional (1976-1983), and La señora Macbeth (2002) by Griselda Gambaro, in the posdictatorship era.Key words: Macbeth, Dictatorship; Posdictatorship; Somigliana Gambaro

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从独裁到后独裁:阿根廷剧院麦克白变奏曲

威廉·沙克斯帕斯和麦克白对腐败和权力的反思在不同的背景下发现了有趣的修订，提出了新的兴趣焦点。在这项研究中我们要这样的悲剧,其中两项建议阿根廷意识使我们能与这出戏的对话和差别很大,反过来,检查生产压力在不同环境的关系:麦克白(1980年)卡洛斯Somigliana独裁政权期间,自称为“国家重组进程(1976-1983),麦克白夫人(2002)Griselda Gambaro posdictadura石碑下。关键词:麦克白;独裁;Posdictadura;Somigliana;GambaroFrom Dictatorship to postdictatorship: Variations on Macbeth in argentina theatreAbstract: William Shakespeare 's reflection about corruption and power in Macbeth contexts gives rise to唤起对不同语境下文本的修订，产生新的兴趣点。In this paper we will analyse two Argentinian版本of this tragedy允许us to look at the dialogue with the meraka playwright和其有效探索variations depending on their contexts of production:麦克白(1980年)由Carlos Somigliana书面during the dictatorship任命国家重组进程(1976-1983),麦克白夫人》(2002年)by Griselda Gambaro In the posdictatorship时代。关键词:麦克白，独裁;Posdictatorship;Somigliana Gambaro

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Philobiblion: revista de literaturas hispánicas

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