Vibrational Music Therapy with D/deaf clients

Russ Palmer, Stina Ojala
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Abstract

D/deaf clients perceive music through their bodies. The music therapist needs various methods to appreciate these sensations. It is necessary to examine the instruments from a vibrational perspective. Also, listening to the client is more important than speaking. This article focuses on how non-verbal methods are more appropriate when working with clients who have a hearing loss. Vibrosensoric approach to music combined with touch-based communication methods (social-haptic communication) enhances a positive client response. As a deafblind music therapist, musical vibrations play an important role for me as well as for the client during a therapy process. Background noise and spoken language can sometimes mask the perception of musical tones from different types of instruments. Speech with music within GIM sessions renders the client unable to follow either music or storyline. This distorts the sounds in hearing aid devices. Therefore, the instrument selection within the therapy session needs to be considered from a vibratory aspect. Musical tones from the instruments can be felt in different parts of the body. In this case, the focus is not on how an instrument sounds but more on the vibrational sensations it produces.
D/聋人患者的振动音乐疗法
聋人患者通过他们的身体来感知音乐。音乐治疗师需要各种方法来欣赏这些感觉。有必要从振动的角度来检查这些仪器。此外,倾听客户的意见比说话更重要。这篇文章的重点是当与听力损失的客户合作时,非语言方法是如何更合适的。音乐的振动感应方法与基于触摸的交流方法(社交触觉交流)相结合,增强了客户的积极反应。作为一名聋哑音乐治疗师,在治疗过程中,音乐振动对我和客户都起着重要的作用。背景噪音和口头语言有时会掩盖不同类型乐器对音乐音调的感知。在GIM会话中,带有音乐的语音使客户端无法跟随音乐或故事情节。这会使助听器发出的声音失真。因此,在治疗过程中,仪器的选择需要从振动的角度来考虑。身体的不同部位都能感受到乐器发出的音色。在这种情况下,重点不是乐器的声音,而是它产生的振动感觉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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