The Voronezh Poems (1934–7) and the Geometry of Exile

Andrew Kahn
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Abstract

This chapter concentrates on the poems of the First Voronezh Notebook that chronicle exile, starting with the journey into the unknown and transitioning unevenly to the theme of habituation. Drawing on folkloric tropes as well as cinematic devices, the poems represent a hope that the exile might escape through shape-shifting or heroic antics, as well as the fear of oblivion that he faces. One key anxiety and source of inspiration concerns the endlessness of the flat steppe extending from Voronezh, and the poet turns his mind to plotting the geography of exile in relation to the Kremlin, to metropolitan culture, to Voronezh itself, and ultimately to the vast space that threatens to engulf him. Counterpointing poems about human contact and socialization are lyrics that with ‘an eye sharper than steel’ scrutinize space for forms that can be moulded by the imagination.
《沃罗涅日诗集》(1934-7)和《流放的几何》
本章集中于《沃罗涅日第一笔记本》中记录流亡的诗歌,从进入未知的旅程开始,不均匀地过渡到适应的主题。这些诗歌运用了民间传说的修辞手法和电影手法,表达了流亡者通过变形或英雄般的滑稽动作逃脱的希望,以及他所面临的对被遗忘的恐惧。一个关键的焦虑和灵感来源与从沃罗涅日延伸出来的无尽的平坦草原有关,诗人把他的注意力转向了与克里姆林宫、大都市文化、沃罗涅日本身以及最终威胁要吞没他的广阔空间有关的流亡地理。关于人际交往和社交的对应性诗歌是用“比钢铁更锐利的眼睛”审视空间的歌词,以寻找可以由想象力塑造的形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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