Letter from the Editors

K. Scrivens, A. Dial, Brittany Clark Young
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Abstract

Blackness as a non-monolithic lived experience surrounds us at all times, permeating across institutions and platforms. Within this antiblack singularity where Black is rendered visible through violence and cruelty, Look @ Me Now: Black (In)Visibility across Institutions and Platforms seeks submissions highlighting Black joy, activism, exploration, and liberation as an unapologetic reclamation. Blackness does not and must not fit into Western technocultural modes of being and living. In lieu of challenges, across various spaces, platforms, and institutions perseverance and ingenuity have long served Black people as catalysts for agency and visibility. Shifting perspectives and bending realities, Blackness continues to leave its imprint within cultures, technologies, institutions, and platforms. Black (In)Visibility speaks to Black narratives and traditions as both demanding visibility and foretelling the benefits of an insular and protective interpretation of obscurity. Particularly, the invisibility of Blackness can be combated through non-oppressive systems and frameworks of knowing, doing, and being. What non-traditional frameworks and technologies do we use to make Blackness visible? How do choices of consumption and engagement confront and produce assumptions and frameworks for Blackness and establish alternative frameworks of vitality and joy? And finally, in what ways does visibility, invisibility, or hypervisibility affect the constitution and perception of Black personhood and everyday life? Our interpretation of (in)visibility encompasses the diversity of Black imaging and imagining and redaction and annotation. Moreover, our hope in this collection is to assemble a robust corpus that engages with Black (In)Visibility across various non-academic spaces and academic disciplines and perspectives.
编辑的信
黑人作为一种非单一的生活体验,每时每刻都围绕着我们,渗透到各个机构和平台。在这个反黑人的奇点中,黑人通过暴力和残忍被呈现出来,“现在看我:黑人(在)跨机构和平台的可见性”寻求提交作品,突出黑人的快乐、激进主义、探索和解放,作为一种毫无歉意的开垦。黑人不适合也不应该适合西方技术文化的存在和生活模式。长期以来,在各种空间、平台和机构中,坚持不懈和聪明才智一直是黑人能动性和知名度的催化剂,而不是挑战。不断变化的视角和扭曲的现实,黑人继续在文化、技术、制度和平台上留下自己的印记。《黑人可见性》讲述了黑人的叙事和传统,既要求可见性,又预示了对默默无闻的狭隘和保护性解释的好处。特别是,黑人的隐形性可以通过非压迫性的系统和认识、行动和存在的框架来对抗。我们使用了哪些非传统的框架和技术来使Blackness可见?消费和参与的选择如何面对并产生黑性的假设和框架,并建立活力和快乐的替代框架?最后,可见性、不可见性或超可见性以何种方式影响黑人人格和日常生活的构成和感知?我们对可见性的解释包含了黑人影像、想象、编校和注释的多样性。此外,我们希望在这个集合中组装一个强大的语料库,与各种非学术空间、学术学科和观点的黑人可见性相结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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