A constituição do si de acordo com o segundo discurso de Sócrates no Fedro

S. Oliveira
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Abstract

This article analyses the Phaedrus, 246css. and the characterisation it makes of the human ψυχή based on the image of a charioteer and two horses. It attempts to understand not only the meaning and implications of this image, the functions of each of its elements and the relations between them, but also a whole set of ideas to which this image appears to be linked: those of wings, striving, «supercelestial place», weight, confusion, conflict and falling. In this context the Phaedrus stresses that each human ψυχή tends from the start towards something superlative, unsurpassable (or towards what is termed «ὑπερουράνιος τόπος» sc. «ἀληθείας πεδίον») but also that this striving is obstructed by the opposite, i.e., by λήθη — and, to tell the truth, by a very wide variety of factors of λήθη. The analysis of the Phaedrus thus ends up demonstrating that the human ψυχή is intrinsically marked by the — at the same time constant and variable — mixing of ἀλήθεια with λήθη.
根据苏格拉底在《费德鲁斯》中的第二次论述,si的构成
本文分析了公元前246年的《费德鲁斯篇》。而它对人类的刻画则是基于车夫和两匹马的形象。它不仅试图理解这幅图像的意义和含义,它的每个元素的功能和它们之间的关系,而且还试图理解这幅图像似乎与之相关的一整套观念:翅膀、奋斗、“超天体”、重量、困惑、冲突和坠落。在这种情况下,《费德鲁斯篇》强调,每一个人的υχή从一开始就趋向于某种最高的、不可超越的东西(或者趋向于所谓的“ο περο ος τόπος”),但是这种努力也被相反的事物所阻碍,即被λ θη ζ ς πεδ ον——而且,说实在的,被λ θη的各种因素所阻碍。因此,对《费德鲁斯篇》的分析最终证明了人类的 χή在本质上是由ν λ膍膍膍α与λ膍膍η的混合——同时是常数和变量——所标记的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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