Why Alice is not in Wonderland? Countering the Militarized status quo of Cyprus

S. Stratis
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Abstract

Why Alice is not in Wonderland? Countering the militarized status quo of Cyprus is a narrative, part of the author’s diary. It is a reflection on a critical spatial practice, a performative event, titled “Alice in Meridianland… or the counter-militarization action”, part of the Buffer Fringe Performance Festival, Nicosia, Cyprus, 2019. The critical spatial practice comments on Cyprus’ actual militarization status by offering alternative urban imaginaries for the urban commons of an island without armies. It has taken place along a loop of streets and public spaces both in the north and the south parts of divided Nicosia. “Alice in Meridianland” is a camouflage tactic to conceal its anti-militaristic nature while crossing the guarded checkpoints into the city’s north part. Two tricycles, pulling 3-meter long banners, have followed the loop in opposite directions, three times. They met at designated areas and formed instant spaces of playful interaction. The narrative unpacks the entanglements between the performative event and the city’s users of the streets and public spaces. It unfolds how the event has generated new associations between the public spaces and the feelings of the participants and of the author. How it readjusted their mental maps and urban imaginaries. The narrative is a reflective tool for critical spatial practices in producing situated knowledge.
为什么爱丽丝不在仙境?反对塞浦路斯的军事化现状
为什么爱丽丝不在仙境?反对塞浦路斯的军事化现状是一种叙述,是作者日记的一部分。这是对批判性空间实践的反思,是一个名为“爱丽丝在子午线……或反军事化行动”的表演活动,是2019年塞浦路斯尼科西亚缓冲边缘表演节的一部分。批判性的空间实践通过为一个没有军队的岛屿的城市公地提供另一种城市想象来评论塞浦路斯实际的军事化状态。它发生在分裂的尼科西亚北部和南部的街道和公共空间的环线上。“爱丽丝在子午线上”是一种伪装战术,在穿过守卫森严的检查站进入城市北部时,隐藏其反军国主义性质。两辆三轮车拉着3米长的横幅,沿着相反的方向绕了三圈。他们在指定的区域会面,形成即时的互动空间。叙事揭示了表演活动与城市街道和公共空间使用者之间的纠缠。它展示了该事件如何在公共空间与参与者和作者的感受之间产生新的联系。它如何重新调整了他们的思维地图和城市想象。叙事是一种反思工具,用于生产情境知识的批判性空间实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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