NIKETCHE: THE FICTIONAL IN THE REPRESENTATION OF RITUALITY SCENARIOS

Esperança Madalena Luieca Ferraz
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Abstract

: Traditional African culture has been recorded in several written texts as a way of valuing oral customs. Niketche is the recreational and detailed narration of some of the Mozambican sociocultural rites, which, in the course of each chapter of this fictional work, the author, Paulina Chiziane, makes a fruitful interconnection that remains meticulous, in the description of the representative scenarios of the customs of the oral tradition existing in that territory. from the school of learning of the woman’s initiation rite, the types of marriage, the supposed death of the spouse to the inheritance of the wife by the younger brother are part of the representation of this fictional story of African nature. The work in question brings a description of the real traditional world, of the multicultural rites existing in that circumcision of various ethnocultural groups in cohabitation with the western customs experienced in urban areas, which in a way conflict with contemporaneity. The present investigation was part of our doctoral research and its main objective is to demonstrate the sociocultural rites that are part of the elements of Bantu culture in this work as a representation of rituality that are factors of coexistence of sociocultural diversity in African societies. This study will seek to argue the theory of traditional Bantu culture by Altuna (2014), Bâ (1997), Leite (1998) and Vansina (2010), in a qualitative and bibliographic perspective.
尼克切:虚构的仪式场景的表现
传统的非洲文化被记录在一些书面文本中,作为一种重视口头习俗的方式。《尼克切》是对一些莫桑比克社会文化仪式的娱乐和详细的叙述,在这部虚构作品的每一章中,作者Paulina Chiziane,在描述该地区存在的口头传统习俗的代表性场景时,都进行了富有成效的联系,这种联系仍然是细致的。从学习女性入会仪式的学校,婚姻的类型,配偶的假定死亡到妻子由弟弟继承都是这个虚构的非洲自然故事的一部分。这幅作品描述了真实的传统世界,各种民族文化群体的割礼中存在的多元文化仪式与城市地区的西方习俗共存,这在某种程度上与当代性相冲突。目前的调查是我们博士研究的一部分,其主要目标是展示作为班图文化元素一部分的社会文化仪式,作为非洲社会社会文化多样性共存因素的仪式代表。本研究将从定性和书目的角度探讨Altuna(2014)、b(1997)、Leite(1998)和Vansina(2010)的班图传统文化理论。
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