It’s (Red) Hot Outside! The Aesthetics of Climate Change Activists Extinction Rebellion

G. Coombs
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Abstract

From 2011’s Occupy movements to the Umbrella Movement Hong Kong to the recent Climate March in September 2019, typified by Extinction Rebellion’s performative acts of resistance, there’s been an exponential increase in protests around the world. People move together en masse to challenge economic inequality and political ineptitude; they demand racial justice and action against climate change and Indigenous land rights. Ideally, protests and forms of direct action generate new ideas where the use of bodies in space become conduits to spark debate, bring awareness, with the hope to change the discourse about urgent issues. The visual power of many bodies speaking both to each other and to a larger public offers a space everyone can safely participate in the social imaginary. This paper considers Extinction Rebellion's graphic and performative aesthetics.
外面(红)热!气候变化活动家的美学灭绝叛乱
从2011年的“占中”运动到香港雨伞运动,再到2019年9月以“灭绝叛乱”的表演抵抗行为为代表的“气候大游行”,世界各地的抗议活动呈指数级增长。人们集体行动起来,挑战经济不平等和政治无能;他们要求种族正义,并采取行动应对气候变化和土著土地权利。理想情况下,抗议和直接行动的形式会产生新的想法,利用空间中的物体成为引发辩论、提高认识的渠道,希望改变对紧迫问题的讨论。许多身体相互交谈,并向更大的公众说话的视觉力量提供了一个每个人都可以安全地参与社会想象的空间。本文探讨了“反抗灭绝”的图形美学和表演美学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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