The Nodal Closet

A. Alves, W. Niehaus
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引用次数: 3

Abstract

The synthesis of this text comes from a contemporary appraisal of the term “the closet†and its current place in culture since the advent of cybernetics. The authors’ assertion is that this metaphor, one that is rooted in the iconography of the late-capitalist home, is in a moment of transition and constant redefinition. In this paper, the authors explore and assess three basic modern manifestations of the homosexual rite of passage and how they have been rendered obsolete, adapted, or in some respects, catalyzed by new media and mobile technology. The charting of these changes is evaluated as a ’nodal’ phenomenon within queer culture and is paired with Michel Foucault’s notion of heterotopia to better explore the spatial qualities of this shifting circumstance. The closet term is part of a continuum; one marked by intersecting moments of connectivity. In this article, the authors assess the term mainly in relation to a pre-computer era, a personal computer era and a mobile computer/smartphone era.
节点壁橱
本文的综合来自对术语€œthe closet€的当代评价及其自控制论出现以来在文化中的当前地位。作者断言,这个隐喻,一个植根于后期资本主义家庭的图像,正处于一个过渡和不断重新定义的时刻。在本文中,作者探索和评估了同性恋成人礼的三种基本现代表现形式,以及它们是如何被新媒体和移动技术淘汰、改编或在某些方面催化的。这些变化的图表被评估为酷儿文化中的一种 nodal现象,并与米歇尔·福考尔的异托邦概念相结合,以更好地探索这种变化环境的空间品质。“壁橱”这个词是一个连续体的一部分;一个以连接的交叉点为标志的地方。在这篇文章中,作者主要从前计算机时代、个人计算机时代和移动计算机/智能手机时代三个方面来评估这个术语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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