The Phantasmatic Dimension of Culture Wars: The Case of Social Conservatism

Dmitry Uzlaner
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Abstract

The article is devoted to identifying and describing the phantasmic dimension of the culture wars, in particular the phantasmic dimension of one side of this confrontation—social conservatism. The notion of “phantasm” is used on the basis of the Lacanian tradition of social and political theory. A phantasm is understood as stereotypical, repetitive images or visions that structure the position of “culture warriors” and are the foundation on which other levels (rational, legal, etc.) are superimposed. Conservative phantasms are actualized at the moment when society undergoes a process of radical transformation, which breaks the usual systems of differentiation; it is this process that triggers culture wars. Empirical material to illustrate these ideas is the case of Russian social conservatism.
文化战争的幻象维度:以社会保守主义为例
本文致力于识别和描述文化战争的虚幻维度,特别是这种对抗的一方——社会保守主义的虚幻维度。“幻象”的概念是基于拉康的社会和政治理论传统而使用的。幻觉被理解为刻板的、重复的图像或视觉,它们构成了“文化战士”的地位,是其他层面(理性、法律等)叠加的基础。当社会经历了一场彻底的变革过程,打破了通常的分化制度时,保守主义的幻想就得以实现;正是这个过程引发了文化战争。说明这些观点的经验材料是俄罗斯社会保守主义的案例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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