X. Prelude to a Collaboration: Dostoevsky’s Aesthetic Polemic with Mikhail Katkov

S. Fusso
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Abstract

As the editor of the Russian Herald, Mikhail Nikiforovich Katkov was one of the most important figures in the development of the nineteenth-century Russian novel. Fathers and Sons, the first parts of War and Peace, Anna Karenina, and the major novels of Dostoevsky all appeared in the pages of his journal. But it seems impossible for us to evaluate his role without emotional distortion. Our understanding of Katkov’s literary activity and contribution has been greatly complicated by his vigorous political activity. In parallel with his literary efforts, as the editor of the newspaper the Moscow News he was a towering political figure who advocated Russian nationalism and autocracy and agitated vigorously against radical and revolutionary movements. Because of this, seventy years of Soviet-era Russian literary history had to treat him as persona non grata. His literary role was consistently minimized or presented in its most unfavorable light. The situation in the West has been somewhat similar. Throughout the twentieth century, Western literary scholars tried to take a critical, objective approach to the ideologically constrained productions of Soviet scholars while X
十、合作的前奏:陀思妥耶夫斯基与米哈伊尔·卡特科夫的美学论战
作为《俄罗斯先驱报》的编辑,米哈伊尔·尼基福洛维奇·卡特科夫是19世纪俄罗斯小说发展中最重要的人物之一。《父亲与儿子》、《战争与和平》的第一部分、《安娜·卡列尼娜》以及陀思妥耶夫斯基的主要小说都出现在他的日记里。但我们似乎不可能在没有情感扭曲的情况下评价他的角色。我们对卡特科夫的文学活动和贡献的理解,由于他活跃的政治活动而变得非常复杂。在文学创作的同时,作为《莫斯科新闻报》(Moscow News)的编辑,他也是一位杰出的政治人物,主张俄罗斯民族主义和专制,并积极反对激进和革命运动。正因为如此,苏联时期70年的俄罗斯文学史不得不将他视为不受欢迎的人。他在文学上的角色总是被贬低或以最不利的方式呈现。西方的情况也有些类似。在整个二十世纪,西方文学学者试图对苏联学者意识形态受限的作品采取批判、客观的态度
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