Al‐Khansaʾ: Representing the First‐Person Feminine

Marlé Hammond
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引用次数: 2

Abstract

The seventh‐century Arabic poet al‐Khansaʾ (al‐Khansāʾ) composed lamentations that simultaneously celebrate patriarchal values and endow the female voice with a formidable subjective agency. This chapter contemplates the construction of such an elegiac voice through the analytical lens of grammatical gender and asks what the specificities of Arabic grammar and al‐Khansaʾ's skillful manipulation of its codes can contribute to universal notions of women's writing. It concludes that the complex rules of gender agreement that characterize Arabic, far from entrapping women in a stifling binary system, enable women to choose between marking their voices as decidedly feminine and leaving them conspicuously unmarked.
Al - Khansa - n:代表第一人称女性
七世纪的阿拉伯诗人al - Khansa - hah (al - khansha - hah)创作的哀歌,在颂扬父权价值观的同时,赋予女性声音以强大的主观能力性。本章通过语法性别的分析镜头来思考这种哀歌的声音的构建,并询问阿拉伯语语法的特殊性和al - Khansa - na对其代码的熟练操作可以对女性写作的普遍概念做出什么贡献。它的结论是,阿拉伯语性别协议的复杂规则,远没有将女性困在令人窒息的二元体系中,而是使女性能够在将自己的声音标记为绝对女性化和明显不被标记之间做出选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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