John Maxwell Coetzee's Disgrace: A Work of Racial Complexity

Narendra Raj Subedi
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Abstract

Since Literary work is a creative work which is not limited by time and place. In this regard, John Maxwell Coetzee's novel Disgrace (1999) is no exception. Written in South Africa during the postcolonial era but still it reflects racial segregation. The story in the novel from Prof. David Lurie's point of view. The events and its main characters are described and examined from the perspective of a white Settler in South Africa. David's partial vision towards the black makes us realize that there is a kind of racial complexity. The author of this article aims to examine the key issues related to racial and social injustice. Racism is a man-made phenomenon as Huton Calvin writes, ". . . learned behaviour and learned emotions on the part of people towards another group; whose physical characteristics are dissimilar to the former group . . . as if doesn't belong to the human race" (Calvin, 175). The characters in Disgrace are also in two category: White and non-white where David represents the first and Petrus, Melanie and many other fall under the second category. The gap between the two has got a problem, even after the colonial Africa. This problem should be addressed examining through the racial complexity that exists the post apartheid era in South Africa.
约翰·麦克斯韦尔·库切的《耻辱:种族复杂性的作品》
因为文学作品是一种创造性的作品,不受时间和地点的限制。在这方面,约翰·麦克斯韦尔·库切的小说《耻辱》(1999)也不例外。写于后殖民时代的南非,但仍然反映了种族隔离。小说中的故事是从大卫·卢里教授的角度来看的。从一个南非白人定居者的角度来描述和审视这些事件及其主要人物。大卫对黑人的片面看法让我们意识到种族的复杂性。这篇文章的作者旨在研究与种族和社会不公正有关的关键问题。种族主义是一种人为的现象,正如赫顿·加尔文所写:“……人们对另一个群体的习得行为和习得情绪;他们的身体特征与前一组不同…好像不属于人类一样”(加尔文,175)。《耻辱》中的人物也分为两类:白人和非白人,其中大卫代表第一类,佩特鲁斯、梅勒妮和其他许多人属于第二类。即使在殖民非洲之后,两者之间的差距仍然是个问题。这个问题应该通过审查南非后种族隔离时代存在的种族复杂性来解决。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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