The Listener

R. Woody
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引用次数: 9

Abstract

Practically speaking, listening is the primary reason music exists at all. Providing a meaningful sonic experience for others is largely the reason that composers work so hard on their creations and performers enter the stage or recording studio. Human beings’ love of music can be seen in common music listening is in everyday life today. In this respect, it may seem strange to consider “the listener” as a musical role, let alone to regard music listening as a skill that people develop, even to specialized expert levels. Be that as it may, listening is an extremely important topic in the psychology of music. Many people would never consider themselves “musicians” still enthusiastically fill the role of serious listeners. This chapter offers in depth consideration of music listening, beginning with an examination of the processes of human hearing. It addresses the multiple types of listening in which people engage, from hearing music in the background while doing other things to focused listening for the purpose analyzing or evaluating the music heard. Special emphasis is given to music’s capacity to evoke strong emotions in music, sometimes to the point of physiological responses such as tears, shivers, and a racing heart.
侦听器
实际上,听是音乐存在的主要原因。为他人提供有意义的声音体验是作曲家努力创作和表演者进入舞台或录音室的主要原因。人类对音乐的热爱可以从今天日常生活中常见的音乐中看到。在这方面,把“听众”看作是一个音乐角色似乎有些奇怪,更不用说把听音乐看作是人们发展的一种技能,甚至是专业专家的水平。尽管如此,倾听在音乐心理学中是一个极其重要的话题。许多人从不认为自己是“音乐家”,但仍然热情地扮演着严肃听众的角色。这一章提供了深入考虑的音乐听力,开始与人类听力过程的检查。它解决了人们参与的多种类型的倾听,从在做其他事情时听到背景音乐到为了分析或评价所听到的音乐而集中倾听。特别强调的是音乐在音乐中唤起强烈情感的能力,有时甚至达到了流泪、颤抖和心跳加速等生理反应的程度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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