Towards the Feasibility of Instituting a Philippine Digital Audio Library: A Case Study

J. Li
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Abstract

As a spearhead force in music research, especially in the area of South East Asia region, the University of the Philippines (UP) Center for Ethnomusicology (UPCE) caters to a gigantic collection of audio materials which covers different musics and musical traditions in the Philippines, South East Asia and representative areas from other continents. As an outcome of its former appellation, the “UP Ethnomusicology Archives”, UPCE hosts an ethnomusicological collection of about 2500 hours of recorded music in open reel and cassette tape formats, under the authorship of Jose Maceda whose visionary work of putting together these valuable recorded materials left a treasure for ethnomusicology scholarship and research. In recognition of his influential contribution that made the UCPE an archive and repository of materials on music, philosophy, anthropology and other cognate disciplines, these audio materials, together with field notes, music transcriptions, song texts, photographs, music instruments, music compositions, personal files, about 200 books and journals, all of which he personally initiated and developed as a unified institution resource for music research are called “Jose Maceda Collection”.
迈向建立菲律宾数位音讯库的可行性:个案研究
作为音乐研究的先锋力量,特别是在东南亚地区,菲律宾大学(UP)民族音乐学中心(UPCE)提供了大量的音频资料,涵盖了菲律宾,东南亚和其他大陆代表地区的不同音乐和音乐传统。UPCE的前身是“UP民族音乐学档案馆”,在何塞·马塞达(Jose Maceda)的领导下,UPCE收藏了大约2500小时的开放卷轴和盒式磁带格式的民族音乐学唱片,他富有远见的工作将这些有价值的录音材料汇集在一起,为民族音乐学学术和研究留下了宝贵的财富。为了表彰他的重要贡献,UCPE成为了音乐、哲学、人类学和其他相关学科资料的档案馆和储存库,这些音频资料连同现场笔记、音乐抄本、歌曲文本、照片、乐器、音乐作品、个人档案、大约200本书籍和期刊,所有这些都是他亲自发起和发展的,作为音乐研究的统一机构资源,被称为“何塞·马塞达收藏”。
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