{"title":"Rōpū Whānau: A whakawhiti kōrero research methodology","authors":"J. Wilson","doi":"10.24135/link2022.v3i1.181","DOIUrl":null,"url":null,"abstract":"Kapahaka is not simply the song and dance of Aotearoa’s Indigenous people. Deeply steeped in mātauranga Māori, kapahaka is a way of simultaneously exemplifying Māori histories, the present, and the future; meanwhile it is a community-focused cultural practice, methodology, and pedagogy. Contemporary kapahaka – both competitive and for entertainment – fosters, develops, validates, and celebrates the Māori world, the language, and our ‘ways’: arguably the fundamental building blocks of Māori ‘popular culture’. The research project Kia Rite! Kapahaka for Screens, from which this presentation is a tiny proportion, will focus on the influence and impact of screen production on the art’s ebbs and flows, and the conflicts between maintaining ‘traditions’ and exploring innovation in and towards the future. Over the last century, the kapahaka art-form has evolved exponentially, and as the wider project will explore, in large part as a response to the advancement of screen technologies. An important strand in Kia Rite! will investigate the kapahaka audience. It employs a refined iteration of Rōpū Whānau, a focus group methodology where closely linked relations will be asked to respond to archival through to contemporary kapahaka footage as a generational screen audience study. Exploring responses to screened kapahaka in this way revisits a whakawhiti kōrero-based audience study method designed to reflect and embody the fundamental whakataukī ‘he aha te kai o ngā rangatira? He kōrero’ (what is the food of chiefs? It is talk.) Rōpū Whānau was developed to move beyond the ‘safety in numbers’ focus group methodology to more of a ‘safety within the whānau’ format. By inviting participants from the same family, a duty to protect the under 18s and inherently control researcher behaviours provides an extra layer of a kind of ‘Māori ethics’. This critical presentation brings forward the fundamental elements of Rōpū Whānau and unpacks how it has been used in various research projects in the past. This is to plot the way forward for Indigenous community-led research methodologies, and encourages the consideration of Indigenous research approaches.","PeriodicalId":286130,"journal":{"name":"LINK 2022 Conference Proceedings","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"LINK 2022 Conference Proceedings","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24135/link2022.v3i1.181","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Kapahaka is not simply the song and dance of Aotearoa’s Indigenous people. Deeply steeped in mātauranga Māori, kapahaka is a way of simultaneously exemplifying Māori histories, the present, and the future; meanwhile it is a community-focused cultural practice, methodology, and pedagogy. Contemporary kapahaka – both competitive and for entertainment – fosters, develops, validates, and celebrates the Māori world, the language, and our ‘ways’: arguably the fundamental building blocks of Māori ‘popular culture’. The research project Kia Rite! Kapahaka for Screens, from which this presentation is a tiny proportion, will focus on the influence and impact of screen production on the art’s ebbs and flows, and the conflicts between maintaining ‘traditions’ and exploring innovation in and towards the future. Over the last century, the kapahaka art-form has evolved exponentially, and as the wider project will explore, in large part as a response to the advancement of screen technologies. An important strand in Kia Rite! will investigate the kapahaka audience. It employs a refined iteration of Rōpū Whānau, a focus group methodology where closely linked relations will be asked to respond to archival through to contemporary kapahaka footage as a generational screen audience study. Exploring responses to screened kapahaka in this way revisits a whakawhiti kōrero-based audience study method designed to reflect and embody the fundamental whakataukī ‘he aha te kai o ngā rangatira? He kōrero’ (what is the food of chiefs? It is talk.) Rōpū Whānau was developed to move beyond the ‘safety in numbers’ focus group methodology to more of a ‘safety within the whānau’ format. By inviting participants from the same family, a duty to protect the under 18s and inherently control researcher behaviours provides an extra layer of a kind of ‘Māori ethics’. This critical presentation brings forward the fundamental elements of Rōpū Whānau and unpacks how it has been used in various research projects in the past. This is to plot the way forward for Indigenous community-led research methodologies, and encourages the consideration of Indigenous research approaches.
卡帕哈卡不仅仅是奥特罗阿土著人的歌舞。kapahaka深深沉浸在mātauranga Māori中,是同时体现Māori历史、现在和未来的一种方式;同时,它也是一种以社区为中心的文化实践、方法论和教学法。当代kapahaka——既有竞争性的,也有娱乐性的——培养、发展、验证和颂扬Māori世界、语言和我们的“方式”:可以说是Māori“流行文化”的基本组成部分。研究项目Kia Rite!“Kapahaka for screen”展览将聚焦于屏幕制作对艺术兴衰的影响和影响,以及维护“传统”与探索未来创新之间的冲突。在过去的一个世纪里,kapahaka艺术形式呈指数级发展,正如更广泛的项目将探索的那样,在很大程度上是对屏幕技术进步的回应。Kia Rite的重要一环!将调查卡帕哈卡的观众。它采用了Rōpū Whānau的精致迭代,这是一种焦点小组方法,在这种方法中,密切相关的关系将被要求通过当代卡帕哈卡镜头对档案做出回应,作为一代人的屏幕观众研究。以这种方式探索对筛选kapahaka的反应,重新审视了whakawhiti kōrero-based观众研究方法,该方法旨在反映和体现基本的whakatauk ' he aha the kai o ngha rangatira?他kōrero(酋长的食物是什么?只是说说而已。)开发Rōpū Whānau是为了超越“数量安全”焦点小组方法,更多地采用“whānau内的安全”格式。通过邀请来自同一家庭的参与者,保护18岁以下青少年和内在控制研究人员行为的责任提供了一种额外的“Māori伦理”。这篇批判性的演讲提出了Rōpū Whānau的基本元素,并揭示了它在过去的各种研究项目中是如何使用的。这是为土著社区主导的研究方法规划前进的道路,并鼓励考虑土著研究方法。