The Origins of Scholarship on the Fourfold Gospel

M. Crawford
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Abstract

In his Letter to Carpianus Eusebius refers to an earlier author named Ammonius of Alexandria who, he says, left to posterity the Diatessaron-Gospel. This chapter first identifies the Ammonius in question and proposes that he was a philosopher well-known for his philological scholarship. It also elucidates the title and significance of his work through a comparison with Origen’s Hexapla. The second half of the chapter turns to Eusebius’ adaptation of Ammonius’ composition and argues that it provided him with the ‘starting points’ that he reworked to produce his marginal apparatus. Eusebius’ experimentations with information visualization and textual organization in his Chronicle and Pinax for the Psalms provided him with the insights he needed to accomplish this reworking. Finally, this chapter argues that the ten Canon Tables possessed cosmological resonances in the light of Eusebius’ comments elsewhere about the theology of numbers and creation.
四重福音学术研究的起源
优西比乌斯在给卡皮安的信中提到了一位更早的作家,亚历山德里亚的阿摩尼乌斯,他说,阿摩尼乌斯给后人留下了迪亚特萨隆福音。这一章首先确定了有问题的阿蒙纽斯,并提出他是一位以其语言学研究而闻名的哲学家。它还通过与俄利根的《六轴图》的比较,阐明了他的作品的标题和意义。这一章的后半部分转向优西比乌斯对阿摩尼乌斯作品的改编,并认为这为他提供了“起点”,他重新制作了他的边缘装置。优西比乌斯在他的《编年史》和《诗篇》中对信息可视化和文本组织的实验,为他完成这一改造提供了必要的见解。最后,本章认为,根据优西比乌斯在其他地方对数字和创造神学的评论,十正典表具有宇宙学上的共鸣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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