Chinese whispers. Semiotically mediating between idea and program

Matthias Krauß, F. Nake, Susan Grabowski
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引用次数: 2

Abstract

The relation of aesthetics and computation has intrigued researchers, artists, and philosophers throughout the history of Western mind. In a long-range project, compArt, we take computer art as a case to explore and create sites for learning, art, and programming. We set up situations for students to gain insight into the algorithmic fabric of certain classes of graphic art. An indicator of the students' comprehension is the reformulation of hidden algorithms. An easy exercise is to use tools of a GUI to generate replicas. A greater challenge is a precise symbolic description of classes of graphics. We use the children's play of Chinese whispers as an interface metaphor for the description of data flow. The user is not required to know anything about data flow when he sets up a communication structure between agents and thus creates a total algorithmic behavior from local semantics. We bridge the gap between vague idea and precise formalism by semiotic embedding.
中国的低语。在思想和程序之间进行符号学调解
在整个西方思想史上,美学和计算的关系引起了研究人员、艺术家和哲学家的兴趣。在一个长期的项目“compArt”中,我们以计算机艺术为例,探索和创造学习、艺术和编程的场所。我们设置情境,让学生深入了解图形艺术某些课程的算法结构。学生理解的一个指标是对隐藏算法的重新表述。一个简单的练习是使用GUI工具来生成副本。更大的挑战是对图形类进行精确的符号描述。我们使用儿童玩的中国耳语作为描述数据流的界面隐喻。当用户在代理之间建立通信结构,从而从本地语义创建一个完整的算法行为时,不需要了解任何关于数据流的信息。我们通过符号嵌入来弥合模糊概念与精确形式主义之间的差距。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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