Left to their own devices: ad hoc genres and the design of transmedia narratives

E. Hashimov, Brian J. McNely
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引用次数: 3

Abstract

In this paper, we apply a writing, activity, and genre research (WAGR) framework to explore how research participants designed complex transmedia narratives during a two-semester experiential learning course that was conducted in concert with a major state museum. We focus here on two specific cases from our larger ethnographic study to illustrate participants' self-directed, adaptive development and use of situated genre ecologies to mediate their work. In doing so, we describe how participants navigate among genres and artifacts within a minimum of three overlapping genre assemblages to design transmedia narratives: (1) the course genre assemblage, (2) their discipline-specific assemblage, and (3) their individual genre ecology. We explore individual genre ecologies in detail, describing how participants frequently incorporated ad hoc genres into their workflow as a way of navigating the expectations and genre norms of broader, overlapping assemblages.
让它们自生自灭:特殊类型和跨媒体叙事设计
在本文中,我们应用写作、活动和类型研究(WAGR)框架来探索研究参与者如何在与一家大型州立博物馆合作进行的为期两个学期的体验式学习课程中设计复杂的跨媒体叙事。在这里,我们将重点放在我们更大的民族志研究中的两个具体案例上,以说明参与者的自我导向、适应性发展和使用情境类型生态来调解他们的工作。在此过程中,我们描述了参与者如何在至少三个重叠的类型组合中导航类型和工件,以设计跨媒体叙事:(1)课程类型组合,(2)他们的学科特定组合,以及(3)他们的个人类型生态。我们详细探讨了个体类型生态,描述了参与者如何频繁地将特定类型整合到他们的工作流程中,作为一种导航更广泛,重叠组合的期望和类型规范的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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