Steven Moffat and Fandom’s Favorite Troll

Anastasia Salter, Mel Stanfill
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Abstract

Chapter 1, “Steven Moffat and Fandom’s Favorite Troll,” interrogates how Moffat both avows and disavows fandom. On one hand, Moffat-as-fanboy is both the author of the show and his own ideal audience as he performs and expects broad and deep knowledge of the text’s history. On the other, there is tension with actual fans—as opposed to the imagined fans who are just like himself—and he rejects those he thinks are not being fans the right way. Indeed, this chapter contends that the most standout characteristic of Moffat’s brand may well be being abrasive to anyone and everyone. The chapter concludes by considering the substantial concerns his work raises around inclusion—or lack thereof.
史蒂文·莫法特和粉丝圈最喜欢的巨魔
第一章,“史蒂文·莫法特和粉丝圈最喜欢的巨魔”,质问莫法特是如何既承认又否认粉丝圈的。一方面,作为粉丝的莫法特既是这部剧的作者,也是他自己的理想观众,因为他希望对这部剧的历史有广泛而深入的了解。另一方面,他与真正的粉丝之间存在紧张关系——与想象中的和他一样的粉丝相反——他拒绝那些他认为不是正确方式的粉丝。事实上,本章认为莫法特品牌最突出的特点可能是对任何人和所有人都粗鲁。本章最后考虑了他的工作围绕包容性或缺乏包容性提出的实质性问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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