{"title":"The Wild Bunch:","authors":"G. Camy","doi":"10.2307/j.ctvqmp3rj.11","DOIUrl":null,"url":null,"abstract":"Gérard Camy’s thesis is that the violence in The Wild Bunch expresses the director’s pessimistic view of unredeemed (and potentially unredeemable) human nature. The film’s shootouts—raw, seemingly unmediated—are indicative of a societal breakdown of not just restraint but norms.","PeriodicalId":193542,"journal":{"name":"A Uniquely American Epic","volume":"72 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"A Uniquely American Epic","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvqmp3rj.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Gérard Camy’s thesis is that the violence in The Wild Bunch expresses the director’s pessimistic view of unredeemed (and potentially unredeemable) human nature. The film’s shootouts—raw, seemingly unmediated—are indicative of a societal breakdown of not just restraint but norms.