The interaction of micro- and macro-rhythm measures in English and Japanese as first and second languages

Jun Nagao, M. Ortega-Llebaria
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Abstract

L2 rhythm has often been measured as the duration variation of vowel and consonant intervals using Varco and PVI measures (micro-rhythm). In the present study, in addition to micro-rhythm, we examined macro-rhythm (i.e., the duration variation of intervals between F0 events), and vowel duration in relation to three phonological patterns (i.e., content vs. function words, stressed and unstressed vowels, and final sentence lengthening) in a series of attempts by two Japanese students of English to imitate approximately 2-minute segments of English TED talks. In general, both participants obtained native-like Varco and nPVI scores for vowels and consonants in their last imitation attempt. In contrast, only one of the participants related the variation of vowel duration to stress. The same participant obtained macro-rhythm scores closer to those of the English TED talk. A debriefing interview indicated that neither participant showed conscious awareness of their changes in macro-rhythm. These results suggest that Japanese speakers may need to learn stress and micro-rhythm patterns before implementing macro-rhythm, and that the often-used micro-rhythm measures of rhythm need to be complemented with both macro-rhythm measures and phonological patterns’ measures in order to capture L2 rhythmic patterns more accurately. Pedagogically, imitation seems to work for some learners to learn macro-rhythm patterns.
英语和日语作为第一语言和第二语言的微观和宏观节奏的相互作用
L2节奏通常用Varco和PVI测量(微节奏)来测量元音和辅音音程的持续时间变化。在本研究中,除了微节奏外,我们还研究了大节奏(即F0个事件之间间隔的持续时间变化)和元音持续时间与三种语音模式(即内容词与虚词、重读元音与非重读元音以及最后句子的延长)的关系。总的来说,在最后一次模仿中,两名参与者在元音和辅音上的Varco和nPVI得分都与母语相近。相比之下,只有一位参与者将元音持续时间的变化与重音联系起来。同一名参与者获得的宏观节奏分数更接近于英语TED演讲的分数。一次述职采访表明,两名参与者都没有意识到自己宏观节奏的变化。这些结果表明,日语使用者在实施宏观节奏之前可能需要学习重音和微节奏模式,并且经常使用的节奏微节奏措施需要与宏观节奏措施和语音模式措施相辅相成,以便更准确地捕捉二语节奏模式。在教学上,模仿似乎对一些学习者学习宏观节奏模式有效。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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