Camellias and Vampires: Reading the Spermatic Economy in Natsume Sōseki's And Then (2008)

Miyazaki Kasumi, Kristin Sivak
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Abstract

Miyazaki Kasumi is a professor of English literature and intellectual history at Wakō University in Tokyo. This 2008 essay of hers reframes Sōseki’s work in the context of nineteenth and twentieth century European literature and social history. Showcasing both a rigorous feminist perspective and a background in the same British literature that informed Sōseki’s own scholarly work, the essay explores how fears and anxieties regarding female autonomy and sexuality manifested in literary images of blood-sucking, vampiric temptresses. Through stunning close readings of Sōseki’s And Then (Sore kara, 1909), as well as other novels of his such as Kusamakura (1906) and Sanshirō (1908), Miyazaki engages discourses of sexology and bourgeois domestic politics to reconfigure the space of Sōseki’s novels within both a new literary context and in light of Japan’s burgeoning empire.
茶花与吸血鬼:读夏目Sōseki的《然后》(2008)中的精子经济
宫崎Kasumi是东京和田大学英国文学和思想史教授。这篇2008年的文章重新定义了Sōseki在十九和二十世纪欧洲文学和社会历史背景下的工作。这篇文章既展示了严格的女权主义观点,又展示了Sōseki自己的学术作品所处的英国文学背景,探讨了关于女性自主和性的恐惧和焦虑是如何在吸血、吸血鬼般的诱惑者的文学形象中表现出来的。通过对Sōseki的《然后》(sorkara, 1909)以及他的其他小说,如草仓(1906)和三寺(1908)的令人惊叹的仔细阅读,宫崎骏在新的文学语境和日本蓬勃发展的帝国的背景下,运用了性和资产阶级国内政治的话语,重新配置了Sōseki小说的空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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