La Peste d’Albert Camus : une analyse de la société coloniale algérienne à travers le prisme de l’épidémie

Alessia Berardi
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Abstract

March 2020: as Coronavirus continues spreading across the globe, the well-known novel La Peste (1947) by Albert Camus appeals to new readers all over the world. This article offers a new modest reading of La Peste by adopting an approach which emerges from the intersection between Environmental Humanities and Postcolonial Studies. We will explore to what extent the plague is an allegory of human suffering and isolate the different levels on which the allegory may work. Furthermore, we will focus on the link between the representation of the plague outbreaking in Oran and the French-Algerian, multiethnic society. What will the “epidemic fiction” reveal about social structures and practices in the context of colonial Algeria’s last years of existence, and how? The representation of the epidemic seems to mirror the inequalities of that colonial society that is not depicted in the novel, and yet it reminds the reader that societies are constructed and thus, can be improved.
阿尔贝·加缪的瘟疫:通过流行病的棱镜分析阿尔及利亚殖民社会
2020年3月:随着冠状病毒继续在全球蔓延,阿尔伯特·加缪的著名小说《瘟疫》(1947)吸引了全世界的新读者。本文采用环境人文与后殖民研究交叉的方法,对《瘟疫》进行了一种新的温和解读。我们将探讨鼠疫在多大程度上是对人类苦难的寓言并从不同层面分离出寓言的作用。此外,我们将集中讨论奥兰鼠疫暴发的代表性与法国-阿尔及利亚多民族社会之间的联系。“流行小说”将揭示阿尔及利亚殖民地最后几年的社会结构和习俗,以及如何揭示?这种流行病的表现似乎反映了小说中没有描述的殖民社会的不平等,但它提醒读者社会是建立起来的,因此是可以改善的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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